I Was Busy This Afternoon

I saw today that Robert Pattinson has presumably been signed on to play Scytale (the Tleiaxu Face Dancer) and primary antagonist in Denis Villeneuve's upcoming Dune Messiah project. Pattinson is one of those actors I simultaneously love and hate, which may actually be a good thing considering the character he'll be playing in the film.

All this got me to thinking and I realized I haven't read Messiah in probably fifteen years at least, but acknowledging I now have the attention span of a gnat when it comes to reading, I still wanted to give it a go. To that end, I thoought a little musical accompaniment might be in order, so I ripped the various Villeneuve Dune soundtracks I have stored in my laptop to MiniDisc this afternoon.

I have all of Frank Herbert Dune novels in Kindle, so when I was done recording, I put the music on in the background and fired up the app. It seems to have worked wonders for keeping me focused. I'm about a quarter way through the novel and despite my disappointment of certain aspects of what Velleneuve did with the second Dune film, I'm very much looking forward to seeing what he brings to the silver screen with this story.

Some Like It Hot

Oh yeah there was a lot of "Hayes Code be damned, all of us making this film are queer/friends with queers and we're going to have some fun with gender identity" in this film. That's why it still holds up. It's not a story based around getting a laugh out of dressing men up as women so they can be clowns – there's an integrity to the cross-dressing. Daphne is an identity Jerry realized he had when he put on a dress. Every time he chooses to keep his wig and outfit on and maintain his feminine mannerisms while alone with Joe, it shows his comfort in this identity, and it elicits laughter from the audience through the dialogue, ie. the audience isn't laughing at the fact that a man is in a dress, but at the characters as fleshed out characters and human beings. The laughter comes from the situations the characters are put in and their reactions to them, not from a parody of womanhood presented through a male perspective. Similarly, Osgood's classic line at the end of the film is an affirmation that he likes Jerry as he is, even if he's Daphne. It's a way of getting the audience to say, "this is fine, we're comfortable" through laughter to something socially unacceptable in its time.

Joe's masculine identity, meanwhile, is used to highlight his misogyny and force him to understand it (and the same with Jerry, but as he's less of a womanizer, there's less of a point to be made with him). In a world where men and women often had separate social circles that overlapped only when romance was on the table, putting a man like Joe in a female space where he's privy to the conversations and emotions that his actions elicit gives him a lot to contend with and understand because he can see the consequences of his actions as raw pain and secondhand, instead of as anger being spewed directly at him. Again, the joke isn't that he's a man in a dress, or that he's parodying womanhood, it's that as a selfish misogynist he's put in situations where he's forced to empathize with the experience of womanhood in order to convincingly enact it for his own safety.

There's a whole lot more to unpack in the metaphor of these two men having to pass as women because their lives are at stake if they don't.

[Source]

Alien: Romulus – Is It Worth It?

No.

It finally appeared on streaming for free, and all I can say is I'm glad I didn't pay for a ticket to see it in a theater. I was already fast-forwarding about 2/3 of the way into it.

So many worn-out tropes. So many blindingly-stupid characters.  The Xenomorph is so well known by now, my reaction has become, "Oh, it's you."

Disturbing

Mike Dytri, Craig Gilmore, The Living End (1992)

I saw The Living End once, shortly after it premiered. I don't remember much about it other than I found it profoundly disturbing, coming out at a time when so many of my friends and loved ones were succumbing to AIDS and it seemed like I was going to a funeral every other week.

Right?!

I enjoyed The Mandalorian. I enjoyed Boba Fett. Hell, I even found Obi Wan engaging enough to watch through the entire series. But everything since? I can't make it past the first episodes…

For Anyone Who Still Cares

I'm pretty sure I've written about this before, but let's recap.

I loved Alien. I saw it on opening night in 1979 (for those of you who might be new here, yes I'm old) and drove home constantly looking in my rear view mirror for anything that might be lurking in bed of my truck.

I loved Aliens even more. I got home and turned on every light in my apartment. Probably one of my favorite films of all time. Everything about it was exceptional.

I was disappointed with Alien3 only because they'd killed off Newt and Hicks. And to be honest, the whole setting gave me the "icks."

By the time Alien Resurrection came around, I was pretty much done with the franchise, but went to see it on opening night nonetheless. At this point I don't even remember the storyline; that's how much of an impression it left on me.

Nevertheless, fifteen years after Resurrection, I confess to quite a bit of excitement when Prometheus was announced—especially since Ridley Scott was directing. Initially I gave it an almost-glowing review, but in the intervening years and upon several subsequent viewings, my opinion of the film has soured considerably—mostly because of the outright stupidity exhibited by the majority of the characters.

And then three years later, along came Alien: Covenant. I was expecting so much from that film, and I should've known better. I wanted answers. What happened to Shaw and David? Did they find Paradise? No. We got yet another murderously psychotic android, a mention of Shaw's grusome death in passing, and a whole lot more stupid exhibited by the characters in the story. I walked out of the theater swearing off the franchise completely.

So now we have Alien: Romulus (with apologies to Star Trek for stealing the planet's name, apparently) yet another prequel to the original 1979 film. My ears perked up when I first head of this being in the works a couple years ago, but I quickly reminded myself how awful the latest crop of films had been and let the whole thing slide by the wayside.

Well, the film finally came out and while the reviews have generally been positive (minus the too-obvious callbacks—to the point of actual dialog being lifted—to the first two films, not surprisingly I have no desire whatsoever to waste money seeing it in a theater. I'll wait until it's streaming—and free—before I put any effort into seeing it.

To be honest, I've generally lost interest in going to movies. Ben and I used to go a lot, and prior to meeting Ben, I had a movie buddy who I'd see almost every new release with. But even prior to COVID, Ben and I were going less simply because it was becoming more and more difficult finding films we both wanted to see. The last two films I saw in a theater were Dune and Dune II, and neither one was a particularly enjoyable experience. With Dune it was because we were still in the throes of the COVID lockdown with all that entailed and Ben didn't really want to go. With Dune II, I was so disappointed disgusted with how Villeneuve butchered the remainder of the novel I left the theater shaking my head, vowing never to return.

I understand there's an Alien series coming out (aka Alien: Earth) on Netflix or one of the other streaming services. Will I bother? Hard to say. At this point I'm suffering from Alien burnout from too many poorly-executed installments of the story and honesly—how many more times can a chest-burster produce any sort of surprise or excitement?

I'm Looking Forward…

…to seeing how Denis Villeneuve is going to portray Edrick, the Guild Navigator in Dune Messiah.

Will he be bizarre, or—since he seems to unconcerned with changing major parts of the story—will Villeneuve just omit the character altogether?

"Greebles"

The Mother Ship model from Close Encounters of the Third Kind (1977). Built by a team led by Greg Jein. Photos are of the original filming model and some of the fun 'greebles' on it.

It would've been hilarious if Beetlejuice had been engraved on that headstone, but then I realized over a decade separated the two films…

Remembering Our Rich Cinematic Drag History

Lifted from a posting on Tumblr…

Not like that film was a one-off either.

I would like to add The Birdcage (1996) to this list of drag queen movies (mind you, it's based on La Cage Aux Folles, a French stage play from 1973 that was later made into a 1978 film*).

Which starred Nathan Lane as a drag queen just two years after he had voice Pumba in The Lion King:

And we ESPECIALLY need to remember Victor Victoria from 1982 (during the REAGAN administration), an absolutely joyful film is SET IN THE 1930S and stars everyone's favorite curtain-sewing nanny as a struggling soprano who decides to pretend to be a boy doing drag (DOUBLE THE DRAG FOR YOUR MONEY). I mean look at this photo:

* I love the Birdcage, but to this day I think the original La Cage still outshines it for the sheer comedic timing of the leads.

So Looking Forward To This

I first read Wicked back in 2003 while suffering severe insomnia during my radiation therapy. It enthralled me through those many long sleepness nights, and the one thought I kept having was, "This would make a great movie!"

When it went to Broadway, I was at first a little disappointed, but immediately realized that this was the path to the silver screen, and now—two decades later—we're going to get it.

And I'm here for it. Yes, I loved the Broadway show. I have the soundtrack. It's been years since I last read the books, but nevertheless, this trailer brought tears to my eyes.

Best Scene Ever

In a twist of fate that would change music history, a DJ in Cleveland discovered a hidden gem on the B-side of a record. He decided to flip The Champs' "Train to Nowhere" record and play "Tequila" instead. That move catapulted the tune to the #1 spot on the Billboard Chart on this day in 1958! Of course, the track "Tequila" got another bump in 1985 from this scene from "Pee-wee's Big Adventure." #TrueStory