DUNE…and Stuff

Let's get to the "stuff" first.

DUNE has been my favorite book for my entire adult life. As I'm sure I've mentioned here before, every few years I used to go through it—and in fact the entire series of Herbert's original six books—just to remind me why I love it so.

(Unfortunately I now have the attention span of a gnat and sitting down to read anything more than a dozen paragraphs causes me to fidget, so I'm long overdue for a re-read of the series.)

Reading aside, the more I learned of Villeneuve's vision for the film, the more excited I became.

I was seriously hoping that this would be the spark that ignited the same sort of passion for the story in Ben that I had been carrying with me all these many years.

Unfortunately, I fear just the opposite has happened. And after last night I think DUNE is going to be one of those subjects that just isn't discussed in this house.

Ben had no interest in seeing the film, yet he agreed to go with me on a date night nonetheless because I wanted him to see it with me. I verified that the time and place would work for him (keeping in mind his commute home from Casa Grande) and he said it was fine. This week he told me he had an IEP scheduled for 4:00 that afternoon but was fairly certain he could still make it back to Phoenix in time to make our 6:15 showtime.

And then life intervened.

Yesterday was a day from hell for my husband. Around 2:30 pm a kid threatened to self-harm, and during the interview it escalated, with him threatening to hurt his dad—and Ben. Crisis was called, and after waiting 20 minutes on hold, the team was dispatched. But because there's apparently one crisis intervention crew for the entire county, Ben had no idea when they would show up.

I'll spare you the details, but we didn't make the 6:15 show. We ended up at the 9:45 pm show, didn't get back home until after 1 am, and Ben had to get up five hours later to make it to a training class this morning that is located in Fountain Hills, affectionately referred to as halfway to New Mexico. We did have a nice, leisurely dinner before the movie, something we wouldn't have gotten otherwise because I misread the website and thought the multiplex was "Dine-In IMAX," when in reality it was "Dine-In and IMAX."

Speaking of the multiplex, once upon a time the theaters at Desert Ridge were nice, but it was obvious they are long overdue for an upgrade. The "IMAX" theater wasn't a true IMAX, but rather IMAX-Lite. It may have had the requisite sound system, but the screen was only marginally bigger than what you'd get in a regular theater, not the two story monster I remember from visits to IMAX theaters in San Francisco. The seats were incredibly uncomfortable. Ben was freezing. We were only two of a couple dozen patrons wearing masks. First time back in a theater in nearly two years and this was not a good first impression.

Add to that, technical difficulties prevented the movie starting at the scheduled time, so the trailers didn't even start rolling until after 10 pm. And all I have to say about those coming attractions is, "Can Hollywood come up with nothing original?"

The movie finally started and by the time it finished, I answered that question with, yes…apparently they can if they want to.

What can I say? DUNE was everything I'd hoped for. While maybe not one-hundred percent chapter and verse faithful to the source material, it is my opinion that Villeneuve hit all the right notes and has given us as faithful a telling of the story as we're likely to ever see.

The cinematography was gorgeous. The performances brought these characters to life. The set pieces—especially the personal shields and OMG the ornithopters—despite having already seen both in the trailers, blew me away. As other reviewers have commented, Villeneuve has hit it out of the park and is without a doubt his finest work to date. Denis has filmed the unfilmable and has made it generally—Ben did have questions—accessible to people who have not read the source material or have seen other adaptations.

My only complaint—and this can be laid squarely on my own shoulders—is that because so much had been revealed in the teasers and trailers that I eagerly devoured over the past year, there wasn't a lot that I hadn't already seen in one form or another. (The Hunter-Seeker was an exception, and I loved its depiction.)

The film ended at a good point in the story, but OMG I want more. Ben liked it, but it failed to ignite the spark I was hoping for.

It's going to be a long two years (or however long it turns out to be) before we see Part 2.

Still a Month Out…

…from the DUNE premiere in the United States, but the first two of three soundtrack albums have been released. I have to say, they're giving me chills and making me cry tears of joy at the same time, especially this cut:

I have such great hope for this film.

Word has it that if it's as huge a success as everyone is anticipating, Villeneuve wants to not just make the second film, but make a trilogy, encompassing Dune and Dune Messiah; basically the life story of Paul Muad'dib.

I approve of this message.

I would love to see Children of Dune as well as God Emperor of Dune on the big screen as well, but I fear I won't live long enough to realize this, even if Denis decides to take up the whole series.

 

One of Those Movies…

…that, along with Cabin in the Woods and The Fifth Element, if I happen across it while channel surfing, I will almost always stop and watch, no matter where in the story it might be.

Silent Hill (2006) dir. Christopher Gans

Still a Classic After More than 80 Years

I had not been aware of The Women until I moved to San Francisco in 1987. (Yes, yes, I know…turn in my gay card.) But after I was enlightened by some friends, it quickly became one of my all time favorite films, and seeing it at The Castro Theater was always a treat. (If you happened to be in the audience at a performance at the Castro in the late 80s when someone yelled "Mommie Dearest!" when Crystal asked Little Mary, "What did I tell you to call me?"…well…that was moi.)

Because it's October

Levitation in Horror Films

The Craft (1996)
The Conjuring (2013)
The Exorcist (1973)
The Witch (2015)
The Babadook (2014)
Jennifer's Body 2009
Stigmata (1999)
Hereditary (2018)
It (2017)
Ghostbusters (1984)

A Reimagined Star Wars

What would it look like?

Okay, it was one of those weird laying-awake-at-4am-because-the-world-is-collapsing thoughts I had today.

After seeing Denis Villeneuve's imaging of both Blade Runner and Dune, I wondered, "What would a Villeneuve STAR WARS look like?" Okay, we know wresting the property from Disney will never happen, but just imagine an adult rendering of the STAR WARS story; one that included all the gritty details of what life was actually like under the Empire and drove home exactly why there was a rebellion in the first place.

Visions of DUNE

I ran across this artist, Alex Jay Brady (his Instagram) the other day and wanted to share. IMHO, his vision of DUNE is amazing, especially the worms:













From The Battle of Arakeen:

Guild Highliners:







Alex presents an interesting take on Giedi Prime, home of the Harkonnens. I'd always envisioned the planet as a dark, perpetually polluted hellscape, but Mr. Brady has a different view:




His interpretation of the ornithopters (in multiple panels above and pictured below on Caladan—something that was never explicitly stated in the books, but upon reflection would have to have been obvious) is also much more aligned with how I pictured them upon reading the novel, even moreso than Denis Vileneuve's vision in the upcoming film:



From Book 3, God Emperor of DUNE, the worm/human hybrid himself, God Emperor Leto II:


Well This is Interesting

A few images leaked from a teaser trailer for a certain upcoming movie I am very excited to see (and hope that it will be safe enough to return to a theater in time for its debut). Withholding judgment until I see more, because I never found fault with the visual aesthetic of the previous attempt to bring this saga to the big screen, but I do find these images intriguing.

"Put your right hand in the box," she said.

"What's in the box?"

"Pain."



"I hold at your neck the gom jabbar," she said. "The gom jabbar, the high-handed enemy. It's a needle with a drop of poison on its tip. Ah-ah! Don't pull away or you'll feel that poison."

The itch became the faintest burning. "Why are you doing this?" he demanded.

"To determine if you're human. Be silent."

Sputnik


"There's been an incident in space."

I stumbled across this film yesterday via ads showing up on my Instagram stream and it looked intriguing enough that I was willing to drop the $6.99 rental fee and check it out. While I was prepared to be disappointed, I came away pleasantly surprised. It's definitely worth rental (I watched through AppleTV, but it's also available through Amazon and numerous other sources).

Described by some as a cross between Alien and Arrival (I wouldn't go that far), Sputnik takes place in the Soviet Union in 1983 at the peak of Cold War tensions. It tells the story of the return of the Orbit-4 space mission and its crew. The landing site is horrific: the commander is dead, the flight engineer is in a coma. The third crew member,* Valery Basov, has survived but has lost his memory from the experience and cannot shed any light on the cause of the accent. In a secluded government facility, under the constant watch of armed guards, an upstart, outspoken psychologist Tatiana Kilmova is brought in to attempt to cure the astronaut's amnesia and unravel the mystery. In the process, she learns that Orbit-4 has carried back with it an alien parasite that threatens to destroy them all.














The effects and cinematography are surprisingly good. The lead actor (Pytor Fyodorov) is very easy on the eyes and reminds me tangentially of 60's heart throb Glenn Corbett. The film has the same austere, 80s-era Soviet Cold War Bureaucratic palette that was used so effectively in HBO's "Chernobyl."

The story moves quickly, and the film wastes very little time before revealing the parasite.

If you don't mind subtitles or are fluent in Russian, definitely worth your time. It's an interesting escape from the times we find ourselves in.

*I never could figure out where that third crew member was located, because in all the scenes shown on board the spacecraft before re-entry, you only see two cosmonauts.