Not a Bad Binge

Invisible City (Portuguese: Cidade Invisível) is a Brazilian fantasy Netflix television series created by Carlos Saldanha. It is based on a story co-developed by the screenwriters and best-selling authors Raphael Draccon and Carolina Munhóz. It stars Marco Pigossi as Eric, an environmental police officer who uncovers a hidden world of mythological entities from Brazilian folklore as he searches for a connection between his wife’s death and the mysterious appearance of a dead pink river dolphin on a beach in Rio de Janeiro.

The English overdubbing isn’t bad, but you really should watch it in the original Portuguese with English subtitles if you can—if for no other reason, IMHO, Portuguese is an incredibly sexy language and a lot of the ambient sounds are lost with the overdubbing.

The Illustrated Man (NSFW)

He took his shirt off and wadded it in his hands. He was covered with Illustrations from the blue tattooed ring about his neck to his belt line.

“It keeps right on going,” he said, guessing my thought. “All of me is Illustrated. Look.” He opened his hand. On his palm was a rose, freshly cut, with drops of crystal water among the soft pink petals. I put my hand out to touch it, but it was only an Illustration.

As for the rest of him, I cannot say how I sat and stared, for he was a riot of rockets and fountains and people, in such intricate detail and color that you could hear the voices murmuring small and muted, from the crowds that inhabited his body. When his flesh twitched, the tiny mouths flickered, the tiny green-and-gold eyes winked, the tiny pink hands gestured. there were yellow meadows and blue rivers and mountains and stars and suns and planets spread in a Milky Way across his chest. The people themselves were in twenty or more odd groups upon his arms, shoulder, back, sides and wrists, as well as on the flat of his stomach. You found them in forests of hair, lurking among a constellation of freckles, or peering from armpit caverns, diamond eyes aglitter. Each seemed intent upon his own activity, each was a separate gallery portrait.

—Ray Bradbury, The Illustrated Man