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Not mine, but I have my eye out for one in this color for sure! Sony sure loved their orange. And apparently so did a whole lot of other manufacturers back in the day…
Once a legitimate blog. Now just a collection of memes 'n menz.
After watching Julien's homage to the MiniDisc yesterday, I felt compelled to relate my own MD odyssey. While Julien got a lot of the details wrong about the various devices in his collection and the format itself, there's no denying his love of the medium itself.
Since I'm not a video-oriented guy (I've had no desire to record myself since my voice went to hell from the cancer twenty-five years ago), you'll have to settle for the written word. And if you have no desire to read this, just skip ahead to the next nekkid menz post.
I had to post something than more end-of-the-world Orange Felon crap for my own sanity.
I don't remember why the MiniDisc bug originally hit me, because initially with my vinyl-is-holy attitude that gripped me in the early aughts, I wrote the whole thing off as a waste of money, but realized some time later it was only because I couldn't afford it and I was more than a little envious:
23 January 2000 While waiting for the movie to start (we all got to The Metreon at 7:30 for what turned out to be a 9:20 showing), we grabbed dinner at Firewood, and afterward wandered over to the Sony Store. As always, Sony was interesting. The place has the most amazing collection of hi-tech gadgets you could easily spend an entire paycheck—or more—on. And yet, while I certainly admired the design and engineering of a lot of what I saw, as we wandered through the compact disc collection, I commented to Jeffrey how I felt myself to be somewhat of an anachronism with my turntable and vinyl collection. On the other hand, while it's obvious the design of these new products is great, they certainly don't seem to be made as well as any of twenty-odd-year-old equipment I've purchased in the last six months. I seriously doubt if someone's going to be auctioning off one of the blue metallic pocket-sized mini-disk players I saw tonight on e-Bay twenty years from now. It's far more likely they'll all be at the bottom of some landfill if only for the reason the players—like their own up-and-coming software and compact disks before them—seem eminently disposable to me.
Well, twenty years later, people are auctioning off these devices, and in many cases they're going for as much money as they did when they were new (adjusted for inflation) as a small but dedicated group of enthusiasts are—like myself—rediscovering the format.
Anyway, I don't remember what swayed me after that initial proclamation I wrote in my journal, but it was scarcely two months later—after receiving an unexpected windfall from the sale of some original Frank Lloyd Wright blueprints I'd been lugging around for the previous twenty years—that I owned one of those "blue metallic pocket-sized players" along with a full size deck that I added to my existing stereo system.
Funny how life works. Anyhow, I do remember that once I got my hands on those little plastic discs and started using them, I was immediately smitten. At the time I was still living in San Francisco and commuting via train to and from downtown every day. I'd been using my portable CD player for listening to music on the trip and later—because I got tired of the constant CD skipping—a cassette walkman. Even though the MiniDisc format was already on its way out (at least in the United States), I proudly showed off the new player at work. I was disappointed that my colleauges weren't as excited as I was. I remember hearing a lot of "They're still a thing?"
Undeterred, I continued on, recording my CD collection as well as a lot of my vinyl. I didn't care what anyone else thought…
After returning to Phoenix in 2002 my love affair with the medium continued. As I got further into it, I learned of the LP2/LP4 play feature that Sony introduced after I bought my original equipment, effectively doubling or quadrupling (if you didn't mind the loss in quality LP4 inflicted) the recording time of the discs. Naturally I had to have this, so I sold both my original devices and replaced them with units that had the feature. (Looking back now I don't know how I justified going from my original deck—a MDS-JE630—to the LP2/LP4 deck (MDS-JE480) that had significantly fewer features and functionality, but I was able to.) I replaced that glittering blue portable player with the funky MZ-S1 "Sports" MD player/recorder. Though it—like all my MD equipment of the time—was now long gone, seeing that model again online ended up being the whole reason I got back into this quirky format six months ago.
I don't remember exactly when it was that sent my equipment and rather sizable collection of decks packing. Memories are hazy at this point but I want to say it was either immediately before or after I met Ben and made the jump to the iPod.
I hadn't really given MiniDisc much thought since then. I've spent the last couple years getting back into CDs as my preferred listening medium. I've acquired a small collection of portable CD players, and it was shortly after I added Sony's quirky white and orange S2 "Sports" CD player to the collection that I was overcome with nostalgia for my old S1 MD player.
As I've written before, every time I looked one up on eBay I told myself, "No, no, no…you don't need it. You'll have to buy discs and transfer all your music and it will be a pain!" But eventually nostalgia (it's a hell of a drug) overcame that little voice in my head and I gave in and bought one. It had a wonky latch, and in my attempts to fix it, I ended up borking (is that still a word?) it completely and had to buy another one.
Since that time, I've acquired three other—different models—portables (see Marge, above), a Sony MDS-JE780 and a Tascam MD-350 deck (whihch and I now have more discs than I probably had in my original collection.
Do I need any of this? Of course not. Does it offer at least a small respite from the shitstorm brewing in this country around us? It does. Does recording and labeling the discs—while sometimes very frustrating for a variety of reasons—actually bring me a small modicum of joy? Yes. And I guess that's all the justification I need.
Thank you for coming to my TED talk.
You can find the CDs new on Amazon, but used copies are much cheaper on Discogs, even when you factor in shipping. I picked up near-mint copies for around $3-4/disc (not including shipping).
Interestingly, when I had these in my collection prior to the purge, I didn't rip them in their entirety to iTunes—something I now regret (and now has been corrected) since I've gotten them back in my collection.
I'm doing everything possible to stay as far away from social media as I can this weekend. To that end, I tackled one of my post-retirement tasks early.
My office closet had become unmanageable. Last weekend I pulled everything out and started going through shit.
The big boxed items hoarding the most space were the two vintage receivers as well as a vintage amp I'd posted extensively about here but were no longer in use. I'd been planning on putting them all up on eBay for over a year, but they had to be unboxed, photographed, and in the case of the amp, the speaker terminal board needed to be reattached. I kept putting it off because it was all just too much.
Well my friends, now they're up (here and here in case you're interested). And one has already sold.
I also realized my old Yamaha CD player was sitting on a shelf in the bedroom closet, and BAM! That's listed now too.
While there is some sentimental attachment to all this gear, it feels damn good to be getting it out of here—especially since I lost my mind last week and bought another Minidisc deck:
I should have sought this one out initially, but until I stumbled across a review on YouTube I didn't know it even existed. It's got all the functionality of the Sony deck I bought, but in addition it has a headphone jack, pitch control, and—most importantly—a keyboard jack so track/disc names can be easily input. Will I eBay the other one? Probably not. It's always good to have a backup…
Sony's stopped updating their original NetMD software for transferring music files from a computer to a MD recorder about the same time they stopped making the recorders themselves. But fear not, intrepid MD Warriors! Several very industrious devotees have stepped up and created software that is—for all intents and purposes—better than Sony's original.
One of them is PlatinumMD:
I couldn't get this working the first time I tried it, but apparently the author released an update that works with the M-series Macs, and now it works just fine. The downside is that a bunch of ancillary code must be installed via HomeBrew in order for this to work at all, and not being at all familiar with HomeBrew, I really didn't have a clue what I was doing. But it worked…
Another one is WebMD Pro (requires the Chrome browser, which I loathe). Fortunately there is also a standalone application, electronwmd that has native MacOS support built-in:
Until I got Platinum MD working, this was my go-to NetMD application, and it's astoundingly simple interface is what still brings me back when I need to do some quick-and-dirty editing (or verify that what I did in PlatinumMD actually worked).
Finally, today I discovered NetMDWizard, a nifty application that lets you directly transfer/encode music tracks from CD to MD:
When recording, the absolute best quality you can get is a direct optical cable connection between your CD player and your MD deck. That being said, the whole NetMD ecosystem produces results that I (and many others) are hard pressed to find fault with. For all intents, the MD recordings sound as good as the originals. Yeah, yeah, I know…converting from one lossy codec to another will produce undesirable artifacts, but except for some minor sibilance heard with certain percussive instruments—or strident overtones heard with certain electronic compositions (and then only when recording in SP2 mode)—the quality certainly is good enough that unless you have the hearing of an 18-year-old, you'll never notice any degradation.
The initial outlay for the equipment is one thing, of course. But then there's the discs (both new and "recycled," currently in the range of about $3-4 a pop) and all the ancillary stuff: glossy sticker paper, X-acto blades, cutting mat, Goo-Gone to remove existing labels…and then the toll the labeling itself has taken on my fingernails! (I finally got smart and bought a plastic scraper and blades.)
Still…it brings me joy and keeps my mind off everything else that's going on in the world.
We all grieve in our own ways. I'm obviously spending money to try and fill the Sammy-sized hole left in my heart. I won't have that luxury in a month, but I have it now, and I'm not going to apologize to anyone for it.
The other night as I was getting ready for bed, I flashed on how—since we'd gotten a higher bed frame and mattress a few years ago—I recently starting having to lift him up onto the bed for the night. He could almost always get down on his own (although he wasn't one to refuse help in that area either), but for the last couple years he just didn't have the strength to jump up any more. I flashed on him there standing on his hind legs, front paws outstretched, leaning against the side of the mattress waiting for me to help him up and I just broke down and lost it…
At least I recognize and acknowledge what I'm doing.
…this one is undoubtedly one of my favorites. Sony was definitely at the top of their design game in the 90s and 00s, not only with Minidisc, but also with portable CD players.
For me, with the N707, it's the color, the design, the tactile feel of the unit. And the sound? Absolute chef's kiss. I can listen to this thing all day and never get burnt out. And of course, it works flawlessly. (Portable MD recorders/players, by their very nature, are much more complicated beasts than portable CD players and more prone to developing problems over years—especially if they've been neglected.)
PSA: If you're not going to use your portable electronics for an extended period and they have removable batteries, remove them.
Why, you ask? Because the my other portable developed a very wonky disc release mechanism and stopped writing the TOC (table of contents) to the disc after editing it, rendering every disc (no matter what was recorded) as "BLANK DISC."
When I reached the point I couldn't deal with this any longer, there were no other decent MZ-S1's showing up online, so I decided to try a different model. To be honest, it was the color that got me.
And wouldn't you know, immediately after I hit the BUY IT NOW button, an auction for another pristine MZ-S1 showed up. I submitted the minimum bid, never expecting to actually win the auction. Of course, a week later, I did…
Both units arrived today.
To be honest, it is nice to have a fully functional S1 again. The S1 has always been my favorite Minidisc portable, since I originally owned one in the early 2000s. While some MD connoisseurs decry its large, chonky design, I personally love it. See: Quirky.
One aspect of buying used Minidisc equipment that seldom gets mentioned is that oftentimes the sellers will throw in a few discs to sweeten the deal—or to just get them out of the house. Almost always they've got stuff recorded on them—not an issue since they can be easily erased and reused—but occasionally you find a gem hidden among them.
The first S1 (the one with the wonky release mechanism) came with an unlabeled disc with no disc name or track titles recorded. Before I summarily dismissed it and erased it, I thought I'd give it a listen. I really liked the funky jazz beat, so I took a chance that it was more than just YouTube-friendly royalty-free fodder (a lot of times seller post videos of their wares on YouTube), and fired up Soundhound. It immediately identified it: Ernest Raglin – Below The Bassline. It's been one of my go-to discs to listen to while falling asleep since getting it.
I know all this shit is boring as fuck to most of my readers—OLD MAN REDISCOVERS AND FINDS JOY IN OBSOLETE TECHNOLOGY AND WAXES POETIC ON ITS COOL FACTOR AS WORLD SLIDES INTO DYSTOPIAN HELLSCAPE—so thanks for sticking around in spite of it.