Building the Death Star

(Maximize in a dark room for full effect.)

Ben and I saw the new film last weekend. I really enjoyed it, although I didn't get the usual adrenaline rush when the first notes of the theme rang out and the screen crawl started. By the time the end credits rolled, I wanted to see it all again. Ben was not impressed.

As has been written elsewhere, Episode VIII is definitely not your father's Star Wars. Sacred cows are slaughtered. And as the movie itself drives home, it's time to let go of the past and move on. I approve of this.

Blast From The Past

Summer 1977: "Star Wars" summer. Seemed like everyone and their brother was attempting to cash in on the phenomenon that was Star Wars, including Burger King.

I bought this set of four posters as they came available at the fast food chain, hoping to one day get them framed. I'd completely forgotten about them until I ran across these images online. As it turns out, forty years later they're still not framed, languishing in a cardboard shipping tube in the bedroom closet—along with probably a dozen other posters I'd hoped to get framed "someday."

Considering it costs upward of a hundred dollars to get a simple black frame and mount for art of this size (with a 40% discount coupon!) at Michaels these days, it's still not going to happen any time soon.

What Might Have Been

From ArsTechnica:

While most Star Wars pieces you'll see this week are focused on the soon-to-be-revealed adventures of Finn, Rey, Poe, and BB-8, today we've got a blast from the past to share with you—sort of. As any self-respecting nerd will tell you, the whole look-and-feel of the Star Wars universe owes a lot to Ralph McQuarrie. In 1975, George Lucas hired the conceptual artist to create the characters and worlds that then only existed on the pages of his scripts. So McQuarrie's paintbrush created the first images of C-3PO, R2-D2, Darth Vader, stormtroopers, and others, not to mention all those TIE fighters, X-Wings, and Y-Wings.

His paintings and concept art heavily informed Lucas' filmmaking, and the director reproduced many of McQuarrie's pieces in Star Wars. But quite a lot changed between the earlier scripts McQuarrie was working from and the film that audiences saw in 1977. Stormtroopers used lightsabers. Luke Skywalker was a girl. And the Millennium Falcon looked very, very different. Now, thanks to the 2017 graduating classes of the DAVE School, we have an idea of what a 1975-era movie—The Star Wars—would have looked like: