B-52s: Wild Planet (1980)
My favorite of their albums!
Once a legitimate blog. Now just a collection of memes 'n menz.
B-52s: Wild Planet (1980)
My favorite of their albums!
Donna Summer: Love to Love You Baby (1975)
Picture it: San Francisco, August 1986. Before I was employed and settled into my own place, I was staying with some friends of my best buddy in a grand old Victorian on Haight Street, and one afternoon I was poking around in the guest room closet and ran across a cache of vinyl. Among the many records I hadn't heard previously was this gem, Boom Boom by one-hit wonder* Paul Lekakis. I had no idea a video had ever been made, so stumbling across this on YouTube the other day was a surprise.
The full 12-inch version, of Boom Boom if you're so inclined.
Okay, I know it's not the greatest song in the world, but much like Sparks' Music That You Can Dance To (that I also found in that same cache of vinyl) it is inexorably tied to my first few months as a San Franciscan.
*Further research via Discogs and Spotify indicate that Mr. Lekakis has put out work since the 80s, but after listening to (most of) it, I can't honestly say I've heard any of it. (And quite frankly, none of that matches Boom Boom—with the possible exception of Fruit Machine, which has that same mid 80s energy.)
Madonna: Madonna (1983)
Gawd…she/we were so young.
Prince: Purple Rain (1984)
Giorgio & Chris: Love's in You, Love's in Me (1978)
Never one of my favorites, but looked back upon fondly, especially Burning the Midnight Oil.
I get the totally unsubstantiated feeling that Giorgio was fucking Chris at the time and was hoping to make her the next Donna Summer. Unfortunately, Chris didn't possess the vocal talent of Summer and this is why I think this was a one-off album…
Roxy Music: Avalon (1982)
…with one of her performances that is a perfect reflection of the last several years.
Carpenters: Carpenters (1971)
I'm old.
This was the first Carpenters album I bought, and in many ways is still my favorite.
Donna Summer: I Remember Yesterday (1977)
Grace Jones: Nightclubbing (1981)
Sade: Stronger Than Pride (1988)
Carpenters: Now and Then (1975)
https://www.youtube.com/watch?v=4OeX9Rq9cFk&list=PLrpyDacBCh7D9LYtNqpCNxIAyLk4R26uA
Grace Jones: Warm Leatherette (1980)
My favorite—or maybe second favorite—Grace Jones album. I can never definitively say if this or Nightclubbing is my favorite, followed closely by Slave to the Rhythm in third place. Both Warm Leatherette and Nightclubbing are so good they could easily have been released as a double LP.
Pet Shop Boys: Please (1986)
The soundtrack of my life for the first few months I lived in San Francisco.
For many years afterward I would still jump out of my skin when the computer beeps play in Two Divided by Zero because they were so new and unexpected.
…by this post over at Temple of Men
Feel old yet?
Pink Floyd: Dark Side of the Moon (1973)
Dark Side of the Moon needs no introduction. It is undoubtedly one of the most influential and well-known rock albums of the 1970s. But for some reason, I never heard it when it was new.
I only discovered this album late in life and my first thought was, "Where have you been all this time?!"
Sphinx: Sphinx (1978)
Under the name Sphinx, Alec R. Costandinos and Don Ray released an album with two side-long tunes, Judas Iscariot and Simon Peter, telling the story of the betrayal of Christ. Judas features some monk-like chanting, and a pretty simple ascending and descending theme, but as usual it goes through a bewildering series of tranformations, including what sounds like a bouzouki duel, before climbing to a rousing finale. It's also a good case study in how Costandinos keeps the rhythm section pumping out dance beats no matter how overwrought the orchestra gets. Simon Peter explores similar territory and about seven minutes in, it breaks into the most furious, kick-ass disco you're ever going to hear.
Much like Costandinos' work with Cerrone on Love in C-Minor, I was initially unaware of Don Ray's contributions to this album, but upon subsequent listening it's obvious.
And no doubt because of the subject matter, I don't recall ever hearing it played in the clubs. I only stumbled upon it because it appeared in a full page ad in Billboard Magazine along with Costandinos' other work.
That this particular performance by The Three Degrees of their 1979 hit, The Runner, written by Giorgio Moroder…
Reminds me way too much of this?
The 3-hour premier episode of Battlestar Galactica, in which this appeared, debuted in September 1978. The Three Degrees released The Runner on the LP New Dimensions, a month later in October.
Just Sayin…
This has been my commute soundtrack for the past couple days. And like it always does, it took me back some 36 years.
Picture this: Tucson Arizona, 1986…
I was young, dumb, and full of…optimism…in a time of great upheaval.
Bernie—my partner of the previous two years—and I had split up. I'd just moved out of an apartment we'd been sharing with a friend, and into my own place.
A year earlier, Bernie and I had flown to San Francisco for a weekend. He had miles that needed to be used, but at the time we were on a shoestring budget and couldn't afford for me to accompany him. When my friend Kekku heard this she said, "But you must see San Francisco!" and promptly wrote me a check.
We came back from The City infected. (No, not with that; with the city itself.) San Francisco had charmed us, seduced us, and planted the seeds of our eventual relocation. Suddenly Tucson had become black and white, while SF remained glorious technicolor.
At the time I was working as a senior architectural draftsman at the firm of Kim Acorn Associates for a little over a year. My partners in crime there were another Mark, Jerry, and most fascinating of the bunch, Kate.
I lusted after Mark in the worst way. I imagined all manner of depraved (although looking back, not having lived in San Francisco yet, my definition of depravity was entirely too vanilla) things I could do to/with him. But sadly, he was straight, married, and unobtainable.
Kate—whom I sadly have no photos of—and I had each other clocked the moment I first walked into that workroom. She reminded me way too much of Large Marge from PeeWee's Big Adventure. She smoked. She walked with a swagger. She drove a truck. For chrissake, she wore more flannel than I did.
She had a keen interest in astronomy, and owned a beautiful telescope that she would take out into the dark desert nights—and also carried a gun "for protection" during those forays into the wilderness. ("Javalina, y'know…") She loved the same music I did and I helped her buy her first hi-fi stereo system.
Her grandmother had been a Sioux medicine woman and had taught her "the ways." Our shared interest in all things otherworldly (both physical and otherwise)—not to mention our mutual overpowering dislike of several members of the firm we worked at—immediately bonded us.
I believe if I could've used today's parlance back then, I would've called her my work wife…
It was at this time I bought my first portable CD player. Imagine! Portable! It was ridiculously expensive, bought on credit, and went pretty much everywhere with me. One of the first CDs I remember buying was Primitive Love. It became a big part of the soundtrack of my life that summer.
Though Bernie and I had separated by that point, our plans to move to San Francisco together remained in place. It was an amicable parting, so there was no reason to change them; to this day we remain good friends.
Things were slowing down at work. Kate and I both noticed that the amount of clients coming into the office was drastically declining. Since he knew of my eventual plans to relocate to SF, coupled with the downturn in business, it came as no surprise when I was called into my boss's office around the first of July and was told that along with Kate and two other employees, they were letting me go. I remember starting to giggle and the guy looked at me and said, "That's the strangest reaction I've ever gotten to telling someone they're being laid off." I shrugged my shoulders and replied, "The Universe is telling me to go to San Francisco now."
And so I did. It took a couple weeks to make arrangements, but I left Bernie to house sit for the month or so I anticipated it would take me to find work, and loaded up my car and headed northwest. Our mutual friend Lee was already in SF; he'd accompanied us on a visit to The City the previous December and came back as smitten as we'd been. I'd be crashing with him at the home of a couple of his friends. It would be an adventure!
And quite an adventure it was. Another story for another time. "The City will chew you up and spit you out!" But suffice to say that nearly our whole gang had become San Francisco residents by October of that year.
I saw Kate briefly when I flew back to Tucson for Christmas. She had been having trouble finding work and wasn't in the best head space. In January or February I got a strange phone call from her. She was in good spirits; decidedly better than she had been in when I saw her. She told me that she (in her own words, just to make it clear) had made a breakthrough; she "had decided she was a man trapped in a woman's body" and was ready to do something about it. She had adopted the name Hawk, and asked if I knew of any place in San Francisco that could help her physically transition. After regaining my composure (where had this come from?) I told her I didn't, but I knew enough even back then that before she went under the knife she'd have to go through months—if not years—of counseling, hormone therapy, and actually living the life of a man, and told her so. Perhaps she could check with the Gay Students Organization at the University of Arizona? She said she would, and that was the last I heard from her. Subsequent attempts at reaching my work wife were unsuccessful. Her phone had been disconnected and mail went unanswered.
Every time I play Primitive Love think of Kate/Hawk and wonder if they had been successful in finding the inner peace and happiness they were seeking.
Personally, Bowie and Prince—because the entire fabric of the universe started breaking down after they died. For the third I'm torn between Donna Summer and Freddie Mercury, but ultimately I'd have to go with Mercury because as much as I loved Donna, I never felt her work was as good after she split with Giorgio Moroder.
…and I have our local classical/NPR station playing in the other room.
The fourth movement of Beethoven's Ninth Symphony came on, and I caught myself unconsciously singing along:
Freude, schöner Götterfunken,
Tochter aus Elysium,
Wir betreten feuertrunken,
Himmlische, dein Heiligtum,
Deine Zauber binden wieder,
Was die Mode streng geteilt;
Alle Menschen werden Brüder,
Wo dein sanfter Flügel weilt…
I "discovered" Beethoven's Ninth in my sophomore (maybe Junior) year in High School, about the time I was getting good in German, and I was blown away. Until that point I'd never heard German sung, and here it was in all of Beethoven's beautiful, bombastic beauty. I poured over those lyrics and committed them to memory; one of the few things from high school that remain to this day as clear as if they'd happened yesterday.
Shortly thereafter I discovered a German language recording of Handel's Messiah during a trip to Circles Records downtown in the early 70s. Did I mention that at the same time I was hip deep in the German language I was also in the throes of teenage religious fervor?
I don't remember how I obtained the recording; what I do remember was the three disk set was $30—a fortune at the time—meaning it was probably a Christmas gift from my parents. After my abandonment of any pretext of Christianity post Star Wars and my great vinyl purge of the early 90s, I'd completely forgotten about it.
But then one day about fifteen years ago or so, it popped into my head and I tracked down a CD reissue online somewhere and purchased it for old times' sake. Much like Beethoven's Ninth and its Ode to Joy, I'd listened to my vinyl copy so many times the German lyrics were forever burned into my memory, and my father once said if he "heard that infernal piece of music one more time his head would explode!" (Little did he know disco would invade our home just a couple years later!) The difference when I received the CD reissue was that the music prompted none of the religious ecstasy it did when I was in my teens and I could appreciate it simply for being the musical masterpiece it was.
I ripped Der Messias into iTunes before getting rid of most of my CD collection but I can honestly say I've not listened to it since.
(I may have to rectify that later today.)
Tainted Love and Sex Dwarf from Soft Cell: Non-Stop Erotic Cabaret (1981)
https://youtu.be/DCgpuRBq71E
The Trammps: Disco Inferno (1976)
I use two accounts, and apparently both are really bad.
TBH, I only use Spotify for two reasons: as background noise while I'm working at home (think "Starbucks Coffee House Jazz" literally) and for investigating whether or not something is actually worth purchasing.
Here's the snarky response to the account I use the while working from home:
And here's the one I use to listen before actually plunking down money: