Category: Television

All of the "boutique" shows I've been watching have wrapped up for the season (or the entire series).

Mr. Robot (series)
To be honest, I was kind of disappointed with the series finale. I'm still processing it to some degree, but it left me asking questions that will probably never be answered. Did any of the incidents portrayed during the past for years actually occur in real life, or were they just part of Elliot's psychotic break?

His Dark Materials (season)
Loved it. Unlike The Golden Compass movie from years ago, this time the story stayed almost perfectly true to the source material. They aren't shying away from the religious and spiritual underpinnings of the novels and I appreciate how Will's story (that doesn't actually appear until Book 2, The Subtle Knife) has been interwoven with the events of The Golden Compass. Excellent storytelling.

If I have a gripe, it's that the battle scenes seem a bit…sanitized for our protection and there is a distinct lack of daemons on screen. (Kind of ironic considering the creative force behind this production keeps telling us this first season is all about the daemons.)

For All Mankind (season)
This one kind of took me by surprise and was the sole reason I started exploring Apple TV. This has been a thought-provoking alternate-timeline history of the American space program. Spurred into action by Russia landing the first man (and woman!) on the Moon, the space program is jump-started and after landing astronauts—of both sexes—on the Moon, have established a base, and looks to be on the way to Mars by 1985! Of course there's a lot of family and personal drama taking place as well, which adds the certain emotional spice needed for an otherwise "dry" drama.

Definitely looking forward to Season Two next year.

The Expanse (season)
Brought back from the dead by Amazon Prime after being cancelled by SyFy after a three year run, the Expanse continues to be one of my favorite "hard" sci-fi dramas on television. It's definitely not one of those shows you watch as background noise; it demands your full attention to follow what's happening. I just got done binging the entire fourth season and it's only left me wanting MORE.

Watchmen (season? series? No one seems to know for sure.)
This is another show that can't be on as background filler while you're cruising the interwebs. I was perhaps at a disadvantage because except for the 2009 movie, I was unfamiliar with the source material and required a lot of dedicated paying-attention to the story to suss out what was happening. Even then I had to resort to podcasts to get a fuller understanding and appreciation of what the writers and producers were throwing us. It's a beautiful stand-alone story, and while HBO hasn't announced a second season, the story—while self-contained and satifying on its own—definitely left things open-ended enough that it could easily continue.

Guess I'm going to have to search out weird shit on Netflix or Amazon Prime now.

Last night I watched Episode 1 of HBO's new series His Dark Materials, based on the much-loved Philip Pullman novels.

His Dark Materials, a trilogy of books (The Golden Compass, The Subtle Knife, and The Amber Spyglass) were my constant late night companions sixteen years ago while undergoing cancer treatment and unable to sleep. I was immediately drawn into the alternate universe and the adventures of Lyra and the rest of the characters she encountered on her journey.

I thought the feature film, which was supposed to be one of three (encompassing the entire trilogy), done 12 years ago, was good. Not great, but good. I felt the casting was spot-on, not only with Daniel Craig as Lord Asriel but also Nicole Kidman as Mrs. Coulter. I was sorely disappointed at the ending, however, as it was at that point that the movie veered off from the original source material in an unforgivable fashion, and the remaining two books were never filmed.

This time, however, it appears HBO will not shy away from the controversial content of those two books that ultimately killed that first attempt to bring the story to the screen. His Dark Materials was marketed as a Young Adult series of books, but the themes addressed therein are decidedly adult in nature and have pissed off a lot of the sanctimonious religious types because they dare to question life, death, and religious dogma and control itself.

HBO is marketing this as another Game of Thrones or Westworld, already renewing it for Season Two, indicating they have zero fucks to give in regard to said sanctimonious religious types.

Last night got it all off to a good start, and I'm eagerly looking forward to the journey HBO is providing.

If you haven't read the books (and frankly, I need to read them again as it's been years), I highly recommend them.

And having never seen the show before, all I can say is:

SO.

MANY.

DADDY.

ISSUES.

What you need to know about Chernobyl, HBO's 5-episode miniseries from Craig Mazin, is that you cannot understand how deeply it will destroy the very fabric of your being until you see it. Which is, strangely, analogous to the fallout from the meltdown of Chernobyl reactor #4. As it was happening, and in its immediate aftermath, no one understood what it meant. "You are dealing with something that has never happened on this planet before!" says scientist Valery Legasov (Jared Harris) when attempting to impress upon the Kremlin the unknowable scope of the event, which took place in April of 1986. But for us in 2019, we do know. At least, we know that simple, almost mundane scenes of children playing in the radioactive ash and men at the power plant letting irradiated water splash all over them equals death. But as a first responder picks up a rock and looks at it curiously, his hand melts away, and others start to know things too.

As a viewer you know the history; you know the monster is on the other side of the door and you find yourself screaming, "Don't go in there! You're going to DIE!

___________________________

"Chernobyl" is not an easy show to watch.

Nor should it be. The 1986 explosion at Chernobyl in present-day Ukraine was the worst nuclear accident to date, which killed hundreds of thousands and still affects millions more. But HBO's five-part miniseries is hard to watch for reasons beyond those harrowing facts and graphic images of the immediate effect of radiation on the Chernobyl plant workers and first responders, the omnipresent column of black smoke belching from the reactor's core, or even eerie footage of the residents of the nearby factory town of Pripyat, gathered convivially to watch the fire burn while their children chase radioactive ash like snowflakes.

"Chernobyl" is so hard to watch because of the all too human themes creator Craig Mazin has woven into his masterful script. Mazin and his team have done their homework, immersing themselves into the history, science, and even the tick-tock of Chernobyl, as well as first-hand accounts in Nobel prize laureate Svetlana Alexievich's "Voices from Chernobyl: The Oral History of a Nuclear Disaster." Watching the show is a crash course in nuclear physics, but more importantly, it is a thought-provoking exploration of the importance of truth and the nature of self-sacrifice.

"The truth doesn't care"

"We live in a time where people seem to be re-embracing the corrosive notion that what we want to be true is more important than what is true," Craig Mazin says of the series. "It's as if truth has become a joke. One of the most important lessons of "Chernobyl" is that the truth does not care about us. The Soviet system was soaking in this cult of narrative, and then one day the truth erupts. This is why this story is more relevant than ever."

Truth—and the lack of it—is front and center in Episode One. The series' protagonist, Valery Legasov (Jared Harris) sits alone in his Moscow flat with a small cassette player, attempting to grapple with the truth of Chernobyl two years after the incident. Minutes later, we are plunged into chaos and confusion in the Chernobyl control room just seconds after the explosion. Anatoly Dyatlov (Paul Ritter), the plant's senior engineer, systematically ignores the increasingly alarming information his subordinates bring him that the reactor's core has exploded. Again, and again, Dyatlov insists that an explosion is impossible, and continues to issue orders that will consign his already doomed men to more immediate and agonizing deaths from radiation.

Fear is pervasive in the control room, but the cause is not just the alarming reads on the radiation meters (the more sophisticated and accurate meter is locked in the safe and no one has the key— a marvelously Soviet moment). No, the more pressing issue, we learn through snatches of conversation, is that the accident may have been the result of a safety test performed hours before. This is the real specter that haunts Dyatlov and the men in the control room: that they may be blamed for the damage caused by the accident. Their immediate concern is not the reactor as much as containing the damage to their reputations and job security.

If we find this ludicrous, the incredulity of all the characters suggests that worrying about their jobs is an easier problem to get their heads around than a seemingly impossible explosion in a nuclear reactor, something, as Legasov later states, "has never happened before on this planet."

But Dyatlov doggedly continues to insist that everything is fine, the damage is minimal, as are the radiation levels, and he passes this doctored information and, with it, his damage control agenda up the chain of command.

Truth is again relegated to the sidelines as the plant's apparatchiks, Director Bryukhanov and Chief Engineer Fomin meet with Pripyat party officials in a bunker below the reactor's executive office. The precaution of evacuating the city is dismissed by a veteran of the Russian Revolution, who tells the assembled officials: "It is my experience that when the people ask questions that are not in their best interests, they should simply be told to keep their minds on their labors."

Read the rest here.

Comedy gold from my guilty pleasure:

Marty: This thing has been way harder than I thought.

Marty: It's made me feisty.

Marty: Once more into the breach!

Dan: I exposed enough of it to tell what it was.

Dave: You wanna see it!

Rick: I wanna see it! I want to expose the entire structure.

Jack: How big are we talking?

Clotworthy: A mud-filled void.

Marty: It's still in there, then.  Craig: Exactly.

Clotworthy: Taken from the same hole.

Gary: Look at this, Rick.

Marty: You can swing that metal detector.

Charles: You ain't seen nothin' yet. Marty: You ain't seen nothin' yet!!!! Gary: winks at Marty.

Marty: You ready to get after it?

Clotworthy: It is a day of great anticipation for Rick, Marty, and their partners.

Marty: So Craig, are you excited about this? It's been a long time coming.

Craig. Yes, excited and nervous.

Marty: We get to see what your dad has been dreaming about forever, right Dave?

Clotworthy: Each hole will be filled with a small blasting cap.

Rick: We are well on our way to defining a hard target.

Marty: I'm rolling up my sleeves and everything, Gary.

Gary: We pounded this area last year.

Marty: Keep going!!!!

Gary: This is good!!!!

Marty: We have a very mysterious structure under here.

Rick: My hope is that we can expose all of that, or enough of it.

Henskee: First thing is to estimate the diameter. This looks like it was part of something that was pretty large.

Rick: Don't let your imagination run away from you.

Rick: Peter, I designate you to take it there. Peter: I will bring a couple of guys with us.

Gary: It's quite deep as well.

Gary: Give me ten inches, just there mate.

Rick: Oh baby!!!!!

Clotworthy: This will generate a series of seismic pulses deep within the underground test area.

Jack: I didn't understand until I got here how big we were going.

Gauthier (the big guy from Eagle Canada): We were super-excited.

Jeremy (the bald guy from Eagle Canada): At that point where I believe the shaft or opening is.

Rick: I get choked up. You should be proud of yourselves. You hit the mark, you hit the bullseye.

Unidentified Eagle Canada worker: We're gonna chew up that money pit pretty good.

Dr. McFarland (New Brunswick University): We can get it going.

Dr. McFarland (New Brunswick University): Very nice…

Dr. McFarland (New Brunswick University): This is where all the action happens.

Dr. McFarland (New Brunswick University): When I push it in, you will actually see……doink!

Gary: Look at this!!! A fricken' hole!!! (sticks finger in and out of hole in rock). What the heck has someone been doing here?

Gary: You can see where this has been pounded in.

Gary: It's obvious these two holes are connected.

Irving (the suit): We've got a couple of tricks up our sleeve.

Irving (the suit): Here are the engineers, and a couple of guys from the pile-driving department.

Craig: So we said sure, we'll do it with you guys.

Marty: I did see the picture that you sent, and it is exciting!

Rick: This is more about eyes and boots on the ground, getting dirty, jumping in.

Peter: So there's something really big/deep. Mike West (geophysicist with

GPR): Yeah, this isn't a subtle response.

Gary: You never ever know what is going to come out of your next hole.

Rick: Gary reached in, and there you go.

Source.