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Some Thoughts After Having Been Back Into This For a While Now

Sony D-10 (1986-89)

This was the first second portable CD player I owned shortly after the format showed up, back in the mid 80s. (The first was a Sony D-7, and I had nothing but issues with the headphone jack on that unit so I’m in no hurry to get another one.) Of the four players I now own, this one, hands-down, produces the best sound. Even though it’s been fully serviced, I was still surprised how much noise the laser sled assembly makes when searching for tracks or when returning to its rest position at the end of play. It’s also extremely sensitive to shock and vibration, something I have no memory of from back in the day. I know I used to drag it between my apartment and office downtown, tucked away in my backpack while I walked to and from MUNI stations and while riding the train but I certainly don’t remember it being as skip-prone as this particular example is. Or maybe it’s just like I wrote before: we didn’t expect perfection and just lived with it. It’s a question I suppose I’ll never have a definitive answer for. Nostalgia notwithstanding, I also think it’s among the best looking players that Sony ever produced. An all-metal enclosure, and a (in the case of this particular unit, a rebuilt, modernized) battery pack that clips on the bottom spoke to Sony’s attention to quality and design.

Sony D-15 (1988-89)

This was supposedly the direct descendant of the D-10. It’s marked by some design changes and improvements internally as well as externally. It also sports the addition of LED illumination in the display window (when the player is plugged into mains at least) and an internal battery pack. The sound from the D-15 is very close to the D-10, so much so that I’m hard pressed to find any huge real differences. Like the D-10, the case is solid aluminum, giving it a nice heft. The mechanism in this—also fully serviced—unit is much quieter than the D-10. And even though neither units possess anything resembling Sony’s later “G-Protection” shock technology, I’ve found this player to be still more resistant to bumps and other jostles than its predecessor, and when bumped seems to recover a tad more quickly. In addition to the built-in battery pack, like the D-10, it can use the same external clip-on-the-bottom-of-the-unit BP-100 battery pack, although the guy whom I bought the D-10 from warned me not to charge the rebuilt BP-100 through the D-15 because of some voltage differences required by the newer battery formulation he used in the rebuilt unit and had compensated for in the D-10. So better safe than sorry since he obviously knows more about electronics than I do. I can power it from the BP-100, but I can’t charge the BP-100 through the D-15.

As mentioned, the D-15 does have a provision for an internal rechargeable battery pack, but of course Sony no longer makes them. Thankfully there are third-party replacements available that can be recharged through the player itself or via a standard USB-C charger. I have one on order…

The one thing both the D-10 and the D-15 suffer from is an extreme sensitivity to dirty or scratched discs. Whereas the two later players (below) will handle most everything without a hiccup, the tiniest speck or scratch will cause these two to lose their minds, sometimes never recovering. I’ll put a disc in and halfway through will start stuttering. I will pull the disc out and look at it under bright light, and yeah, sure enough, there’s a partial fingerprint or a tiny speck of schmutz that I didn’t see before. So I’m trying to get in the habit of wiping down each disc beforehand that I play in these units.

Sony D-171 (1997-98)

This is my old workhorse, purchased new in 1998 and put in storage at some indeterminate date. I pulled it out when I really started getting back into CDs (after remembering I still had it) and have enjoyed using it again. Obviously a decade had passed between the D-25 and the D-171, and in those intervening years Sony really got the design of these machines down to a fine art. Gone are the multi-level circuit boards and dozens of snaking wires. All the circuitry is now on one board. The D-171 is all plastic, but has held up amazingly well over the years. Still no skip-protection circuitry, but it does handle jostling better than either of the two earlier models, recovering almost instantly if it receives a direct hit. It also has something called “Mega Bass” that offers two increases in bass frequencies, neither of which are particularly welcome to my ears. When doing a direct comparison, the overall sound quality is rather muddy and a little “thin” in comparison to either the D-15 or the D-10 through my Grado over-the-ear cans, but certainly okay when listening through a pair of Skull Candy earbuds (dating from 2016 or thereabouts) while falling asleep. It also has the advantage of being powered by standard Double-A batteries (including the Duracell/Energizer rechargeable variety) when not plugged into the mains. Supposedly there was a rechargeable battery pack available that charged through the D-171 itself and slipped into the standard Double-A slots, but I never owned one back in the day and while there are replacements available online, I honestly don’t see the need. The laser sled is still quite audible when searching or returning to its rest, but it’s neither louder or quieter than the D-15. And as I discovered last week, the D-171 also has the advantage of being extremely easy to get into for repairs.

Tuesday night as I was getting ready for bed, I popped a CD in and pressed play and saw the disc try to spin up and then stop, giving me the dreaded “No Disc” error on the display. Wondering if it was the disc itself, I tried another one with the same results. With it being too close to midnight for me to investigate further, I put it aside until the next day.

It turned out that one of the ball bearings that hold the disc in place on the spindle had popped out of its holder and was rolling around inside the player. Five screws and some gentle prying later, I had the unit apart and located the culprit, pushed it back into place, and everything worked normally again.

The one downside to my old player (other than the general sound quality in comparison to the other players) is that it produces a loud, annoying beep through the headphones when in pause mode—and there’s no way of turning it off.

Sony D-EJ100 (2004)

This was one of those impulse, totally unnecessary “because it looks cool” purchases, and has become my go-to player for my daily commute and use at work. The sound quality still isn’t as good as either the D-10 or D-15, but it is better than the D-171, and it’s perfectly fine for 8 hours at the office. And it has shock protection! Since it’s continually reading data into memory before passing it to the amplifer and on to your headphones, all but the worst upset is ignored. Like the D-171, the D-EJ100 is all plastic, but the particular unit I bought was either generally unused or taken very good care of by its previous owner as there’s nary a scratch on it (except for the bottom, which was to be expected). The laser sled makes about the same amount of noise when it’s slewing as the D-171, which is to say it’s audible, but not annoyingly so.

It has a few other features beyond “G-Protection” as Sony calls it. Like the D-171 it has a two step bass boost, but also has a wired remote that connects between your headphones and the player if needed) so you can change tracks and volume when the player is sequestered in your bag or backpack. (This unit came with one, but I’ve yet to use it.) Also like the D-171 it arrives out of the box with a loud, annoying beep when paused, but this can now be turned off!

Have I mentioned the batteries? When not plugged into the mains, it’s powered by standard (or rechargeable) Double-As, and battery life on this unit is amazing. It’s rated at 50 hours, and I’m here to confirm that if anything, that’s a lowball estimate. It may not have been running for a solid 8 hours a day—more like 5-6—at work, but it took nearly three weeks for the fresh set of batteries it arrived with to run out.. Yeah, I know with iPhones and other modern media players, that probably doesn’t sound like much since our new devices get recharged on the daily, but I think it’s outstanding for a twenty year old piece of tech.

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Beating Back Teh St00pid MSM

From Mock Paper Scissors:

(The transcript is here, if you would rather read it.)

I missed the interview last night, I thought it was going to be on Sunday.

I want to say right at the top that I am pretty much ride-or-die for President Handsome Joe Biden. I had low expectations for him, and he’s turned out to be a president for the ages (no pun intended). He was handed a bag of merde and made a garden: fighting climate change, building the economy from the ground-up, doing all sorts of things that the Left has wanted for decades. He’s been wildly successful. He’s taken that merde and made gold. He’s an alchemist.

We need to talk about ageism. America has a youth culture, almost a fetish for it. Once you get to be a certain age, you start becoming invisible (ask me how I know!), and our pop-culture, youth-centric world demands it. To wring out that last dollar from the Olds to buy unguents and book spa treatments/surgeries to stave off the ravages of time, our capitalists have made a fortune out of our age-related insecurities. They also manufacture those insecurities, but that’s for another day.

President Handsome Joe Biden has the temerity to be old and in public.

No where in this “interview” does George Stephanopoulos cite or establish any old-age related failures of President Biden. If you are going to take the car keys away from Paw-Paw, you better establish that he’s a threat to himself and others. Stephanopoulos failed; or more accurately never tried to make that case. It was a fact not in evidence.

If Biden is too old, if he is so compromised, then how do we explain everything he’s accomplished? If you think he’s showing signs of dementia, then you must reconcile that with the fact that no one can point to a single age-related failure he’s made during his time in the Oval. I might disagree with some of his foreign policy, but that does not mean he’s decrepit.

How can anyone accept his many achievements (just look at the jobs report just out!) and in the same breath say he’s too old to do the job he’s already doing magnificently?

President Handsome Joe Biden might be the first president who could lose his job over the vibes of being old, and looking old. And that is ageism.

UPDATE 1: As a sort of counterpoint about how the media is creating a narrative that President Handsome Joe Biden is old, look at what they are ignoring or have normalized without any protest:

VOTE BLUE!

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Fuck The Biden Haters

Don’t listen to them. A lot of the chatter you see scrolling across your screens advocating for Biden to bow out of the race is pure Russian-bot-generated propaganda. Russia is afraid of Biden and you can rest assured they will do everything in their power to ensure that their useful puppet Trump is put back into office.

VOTE BLUE LIKE YOUR LIFE DEPENDS ON IT. BECAUSE IT DOES!

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Democracy in Crisis is More Important Than Poll Numbers

“Citizens should not obey in advance. Much of fascism is a bluff — look at our loyal cult, listen to our outrageous language, heed our threats of violence, we are inevitable! Hitler was good at that sort of propaganda. Yet to gain power, he needed luck and the errors of others. American fascism, likewise, is far from inevitable. It, too, is largely bluff, most of it digital.

The internet is much more fascist than real life, which is discouraging. But we vote in the real world. The crucial thing is the individual decision to act, along with others, for four months, a little something each day, regardless of the atmospherics and the polls and the media and the moods.”

– Timothy Snyder

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