Popozogolu!

1. What is your favorite movie of all time?
Personal Services, the fictional account of notorious English madam Cynthia Payne, who became the darling of the English press after several arrests in the mid 1980's.

2. How often do you watch this movie?
At least once a year.

3. What's your favorite line out of the whole movie?
(Listen here.) "If I'd known he'd been out there all that time I'd have asked him in for a cup of tea!"

4. Who's your favorite character from this movie?
Christine Painter, the main character.

5. What scene do you love the most?
Christine, Shirley, and Lionel, all dressed in gym slips (English schoolgirl uniforms), playing out Lionel's particular fantasy.

Shirley: "You're a lesbian, aren't you?"
Lionel: "Yes…yes, I am."
(long pause as they turn and look at Christine)
Christine: "Me too."
Shirley: "Polly Parrot!"

"Tell Me of Your Homeworld, Usul."

1. What is your favorite book of all time?
That's an easy one, especially for anyone who knows me. It's Frank Herbert's DUNE.

(A close second is Richard Bach's Illusions, but we'll save that for another time.)

2. How often do you read this book?
I make my way through the whole sequence of Herbert's original six books about once every five years or so.

3. What's your favorite quote from the whole book?
The Bene Gesserit Litany Against Fear:

I must not fear.
Fear is the mind killer.
Fear is the little-death that brings total obliteration.
I will face my fear. I will permit it to pass over me and through me.
And when it has gone past I will turn the inner eye to see its path.
Where the fear has gone there will be nothing.
Only I will remain.

4. Who's your favorite character from this movie?
Paul Atreides, a.k.a. Muad'Dib.

5. What scene do you love the most?
Paul's first confrontation with the Reverend Mother Helen Gaius Mohaim.

6. Why is this your favorite book?
It's because it's the most intricately crafted, completely alien—yet human—universe I've ever encountered in fiction. Just learning the language was an effort the first few times I read it. And now I can't help wonder if Herbert himself was a bit prescient. If you substitute "oil" for "spice", "Iraq" for "Arrakis", and lastly "The United States" for "The Empire", the parallels are uncannily striking, not to mention disturbing—especially when considering the hubris of the racist right-wing and their belief in the "invincibility" of our military.

Analog Rules!

Like most everyone else who came of age in the 70s and 80s and had wrestled with record cleaning brushes, cartridge alignment tools, antistatic sprays and other manner of voodoo that was seemingly required to play vinyl records, I fell in love with compact discs: the convenience, the sound, the general coolness of the damned things…

And like everyone else, I bought into the marketing hype of the time. "Indestructable!" "Will Last a Lifetime!" and so forth and so on. Of course, reality has proven something quite different as we have all come to learn over the years. Scratch the wrong side of the disk (i.e. the label side) and you might as well play frisbee with the thing.

Years ago, when the news of "bit rot" (the tarnishing of the aluminum layer in commercial CDs and the fading of the dye layer in CDROMs rendering them both unreadable) came out, I thought, "Oh Jeez…my collection is disintegrating right before my eyes and I don't even know it."

But along about the same time, I rediscovered the joys of those big black analog vinyl platters. I don't know whether it was prompted by an attempt to recapture some of my youth, or I missed the music (most of which has yet to be re-released), or that I could pick up a pristine copy of some recording for $1 on vinyl that would cost me $16 on CD, or simply because the act of playing a record was so damned satisfying, but I fell in love with music all over again and realized that no matter what happened to my CD collection, my vinyl collection would survive the ravages of time.

And surprisingly, many of those old vinyl records actually soundbetter than their shiny CD counterparts.

As Ted Rall so succinctly pointed out in a column several years ago, because of our rush into the digital age, not only are we at risk of losing some of the musical treasures of our time, we're also at risk of losing most of the record of our culture in general. Even if bit rot weren't a concern, we're still facing the very real possibility that none of our digitalized history will even be readable in the years to come because of the ever-changing march of technology and the obsolescence it leaves in its wake.

And now, as we now start to abandon owning physical media altogether, trusting all our musical memories to bits and bytes in the cloud, I fear this problem has only grown exponentially. I'm not saying it's a bad thing per se, and there's certainly something magic about being able to carry—at least in the case of the classic iPod—60 days worth of music around in your pocket, but when I really want to be in my music, I pull out one of those black vinyl platters, plug my headphones into my 30 lb. wood-trimmed metal mid 70s receiver, and get lost in the sound…if only for a few brief minutes.

Makes you wonder if the ancients knew something we don't. They carved into stone tablets not because they had to, but rather, because they wanted to ensure that their legacy lived on.

One thing I know for certain: as long as someone can affix some sort of pickup needle to a phono cartridge, centuries after the aluminum reflective layer in the last of my commercial CDs has tarnished, the dye on my home-grown CDROMs has faded to invisibility and my iPod is at the bottom of a land fill somewhere, whoever comes after me will still be able to play my records.

Oh Hell No

This, dear readers, is why I will not ever be going permanent with this company…

The day after I snapped this photo, a second webcam was installed in the tech work room (because apparently there was an area they couldn't monitor).

You don't trust me?

I don't trust you.

It's no wonder this company has such a horrible reputation.

Me, Most Mornings Between 3-4:30 AM

Insomnia is evil. I have no trouble falling asleep; in fact, it's usually within seconds after my head hits the pillow. But for some reason almost every night between anywhere from 3 to 4:30 am, I wake up (usually from an intense dream) and can't fall back asleep. I start worrying about what time it is and how soon my fucking alarm is going to go off, or even if I glance over and see I've still got over two hours before I have to be awake, my mind starts racing and at that point I'm fucked.

I so envy Ben's ability to sleep for ten hours at a stretch and immediately fall back asleep if anyone wakes him up.

When I was in my 20s a trick I used on the rare instances I couldn't get back to sleep after waking up in the middle of the night was to tell myself that nothing was so important that I needed to fret over it and lose sleep—especially since nothing could be done about whatever it was that was bothering me until morning anyway. If only that still worked…

And on the Heels of that Last Post…

I found these online today. Learn to drive, morons!

I…I just can't.

Next time take the elevator.

No, you cannot automatically ignore all traffic signs just because you're a fucking cop. Asshole.

I would love to hear the explanation for this one.

Proof that stupidity is not limited to Americans.

There's a reason there's a "No Driving" rule on beaches, but apparently this driver knew better.

How? I mean, just how?

You missed the target. Next time a little more to the right and down.

She looks rather proud of herself, doesn't she?

You could've just knocked.

Denver

  1. Asshole drivers
  2. Asshole drivers
  3. Asshole drivers
  4. Asshole drivers
  5. Asshole drivers
  6. Asshole drivers
  7. Asshole drivers
  8. Asshole drivers
  9. Asshole drivers
  10. A really great jazz radio station (because I had to say something positive after running errands today and having to deal with all of the above)

"It's a Job"

That's what I told Ben Monday evening when he asked how my first day at the new place went.

It's probably too early to make a definitive judgment, but I can say that after four days, while I haven't gotten any major heebie jeebies to send me screaming into the night, I haven't exactly gotten any warm fuzzies either. It's not kismet, but it is a paycheck.

I guess some of my…disappointment?…comes from the fact I'm just not seeing any passion arise—either in myself or in any of my coworkers. Feeling that spark ignite again within me was something I was sorely hoping for, and it just ain't happening.

I'm almost starting to believe that what I need isn't just a change in jobs, but rather a change in careers.

There are twelve other people in the department, but the only person I've really bonded with is one of the two other contractors. We quickly discovered that not only had we both interviewed at many of the same places prior to coming here, but our interactions with the interviewers were almost identical. It was reassuring to learn that it wasn't just me.

This is by far the largest company I have worked for—so large in fact that there isn't a single I.T. Department; there are I.T. departments. Talk about a walled-off environment! And of course even though my particular department knew we were coming on for over a week, because no one talks to anyone else (What else is new, corporate America?), nothing was ready on our first day. No access cards, no network logins, no real plan to get us productive from the beginning in spite of the urgency of this project. Four days later, we finally got network access, but our swipe cards still don't allow us to get into the areas we need to in order to do our work. Whenever we need to go into the tech room (which is often since this is where all the PC imaging for this Win7 rollout is occurring), we need to drag one of the permanent techs down the hall and away from whatever he's doing to let us in. Our supervisor is aware of the situation and has tasked someone with getting this resolved, but the sense of urgency apparently just isn't there.

Whatever.

While the department supervisor is a woman, all the other techs are guys. Very straight, and with only a couple exceptions, very Christian and very conservative. And if the choice of department decor is any indication, they're all into WWE and UFC. The desktop support area and the tech room are both covered wall to wall and floor to ceiling in huge posters of very serious looking men grimacing at each other. And while I personally don't mind spending my day looking at sweaty, half-nekkid menz, it does raise the interesting question of why do heterosexual men so love the sight of these same sweaty half-nekkid mens beating on each other? I can imagine them doing much more interesting things together. As an outsider to this "entertainment," I can only surmise there are some deep-seated psychological issues at play.

There are cameras and security everywhere at the new placeThe employee elevators, which can't even be reached without first passing through card-controlled turnstiles—turnstiles that require you to swipe out as well as in—at the building entrances, won't move even a single floor up or down without first swiping your card. And unlike some of the places I've worked that claimed to monitor employee's computer usage and internet access, I'm convinced this place actually does. (And while we finally got internet access, the placement agency website where we have to report our time is blocked. Go figger.)

So yeah, as much as I was hoping (because of the size of the organization) this would be a very similar environment to my last job in Phoenix—where, ironically, I also started as a contractor for a rollout project and ended up staying for the next seven years—it's proving to be something very different. Even if I'm invited to come on permanently at the end of my contract, based on what I've seen this first week, I seriously doubt I'm going to want to stick around.

Then again, after contracting at that job in Phoenix for a year and seeing how that place was run, I also had very strong second thoughts about going perm, but accepting their offer at the end of that contract ended up being one of the best things that ever happened to me. (Just the other night I dreamt I had reunited with my team from there and was overwhelmed with nothing less than a sense of absolute joy at seeing them all again.)

That being said, I am learning new processes and new techniques that will look good on my resume and will ultimately make me more employable in the future—should I decide to stay in this profession.