The Beginning Of A Mellow Afternoon

Joey Alexander – Warna  (2019)

And believe me, it’s needed.

I took Sophie in for her annual shots this morning.

“Dad! I do NOT like this! Can we please go home?”

She was such a good girl however, that we stopped for a pup cup on the way home.

Prior to leaving this morning, I was about to do my usual breakfast routine, but discovered I was out of the Kate Farms solution (haven’t received my monthly supply from the healthcare distributor and my most recent order from Amazon hadn’t arrived yet), so I combined my iced coffee with two cartons of isosource. All was well and good until right before I left for the vet and the most horrific reflux hit. Apparently I overdid it on the volume and my stomach didn’t like it one bit.

The worst part of not being able to swallow is when you get reflux. If everything were functioning properly, I’d whip up a glass of baking soda solution, swallow it, and  everything would be right as rain. Unfortunately, that’s no longer an option. Yeah, I can still do the baking soda solution via the g-tube (after using the tube to drain the excess stomach contents) to quiet my stomach, but there’s no way of immediately relieving the burn left in my throat from the reflux. And of course there was a certain amount of aspiration, so my O2 (after being 98-100% for weeks now) took a—thankfully brief—nosedive to under 90%. It’s since recovered  to the mid 90s, but damn…it wiped me out and I wanted nothing more upon returning home than to take a nap.

That’s passed now, but it’s still going to be a very low-key, quiet afternoon and Joey Alexander is a perfect accompaniment for that.

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“Eight Is Enough” Of Anything

Famous last words.

I suppose there are worst things to spend my money on, but collecting shit is a fun hobby no matter what you collect, be it antiques, Hummel figurines, Beanie Babies,  Candlewick glassware (in the case of my sister), or in my case, portable CD/Minidisc players.

Yeah, I know I should be saving, saving, saving with all the uncertainty in the world right now, but let’s face it: with that madman in the White House everything could go up in a mushroom cloud at any moment because someone disrespected his fragile ego one too many times and the only solution in his addled brain was to start WWIII. And even if it doesn’t get that crazy, none of us has any guarantee of tomorrow—especially if you’re dealing with ongoing health issues—so find joy in what and where you can.

And these little nuggets bring the geek in me much joy.

I’ll admit there is a fine line between collecting and hoarding, however. Fortunately I don’t think I’ve crossed that line, nor have any of my living relatives. My late father, however, was not a collector. He was a hoarder, and no matter how many times we tried to help him declutter (or even so much suggesting that he move into a new apartment) we were met with incredible resistance to the point of outright meltdowns. When he went into skilled nursing and we knew he’d never be going home again, I spent a couple days cleaning his place while I was in town and ended up filling an entire residential dumpster. After he passed it was a Herculean task for my sister (I was back in Denver at the time) to clean the rest of his place out and get it ready for sale.

I hope that when my time comes, whoever has to go through all my shit doesn’t feel like I had crossed the line.

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Released 40 Years Ago Today

Madonna: True Blue (1986)

From Behind the Grooves: (sadly, link is broken as of 2026)

“True Blue”, the third album by Madonna is released. Produced by Madonna, Patrick Leonard and Stephen Bray, it is recorded at Channel Recording in Los Angeles, CA from December 1985 – April 1986. After the massive whirlwind success of the “Like A Virgin” album and “The Virgin Tour”, the pop superstar does not rest on her laurels, beginning work on the crucial follow up at the end of 1985. Working with long time collaborator Stephen Bray and new producer Patrick Leonard (Michael Jackson, Jody Watley), the album is praised upon its release as her strongest effort to date, and is widely regarded today as one of the best albums of her career. It spins off five top five hits including “Live To Tell” (#1 Pop), “Papa Don’t Preach” (#1 Pop), “Open Your Heart” (#1 Pop) and the title track (#3 Pop). “True Blue” also marks the beginning Madonna’s long association with famed fashion photographer Herb Ritts who shoots the LP’s iconic cover photo. The original LP package also includes a poster of the album cover shot. As a promotion for the album, MTV sponsors the “Make My Video” contest, inviting viewers to submit their own visual interpretations of the title track. The winning entry comes from Angel Gracia and Cliff Guest, whose black & white clip is rotated heavily on the video channel. The pair are awarded a check for $25,000 by the pop superstar herself at MTV’s New York studios. The alternate video directed by James Foley, featuring Madonna with close friends actress Debi Mazur and fashion designer Erika Belle is shown largely outside the US. Madonna also supports the album with the worldwide “Who’s That Girl Tour” beginning in June of 1987. It is remastered and reissued on CD in 2001, with the extended 12″ mixes of “La Isla Bonita” and the title track included as bonus tracks. The vinyl LP is reissued in Europe in 2012, including the original inner sleeve lyric sheet and poster featured in the original release. In October of 2016, a limited edition release of the LP pressed on blue vinyl, is issued as exclusive through the European supermarket chain Sainsbury’s. “True Blue” spends five weeks at number one on the Billboard Top 200, and is certified 7x Platinum in the US by the RIAA.

I mean, the whole album is bangin’ and deserves to be played at 1 am disco-packed-with-big-sweaty-menz volume, but the title track especially moves me. It’s one of those songs that when it comes on I have to stop what I’m doing, crank the volume to angelic heaven-is-a-disco, make your ears bleed volume and DANCELa Isla Bonita is a close second in that category.

My unbridled love for this album and the accompanying quest to acquire it on “true blue” vinyl has been well documented on this blog, so I won’t add anything more and instead will sign off and go listen to it.

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Afternoon Soundtrack

George Michael – Listen Without Prejudice (1990)

George Michael – Patience (2004)

Both are severely underrated albums.

When I think of George Michael, I think of Faith (1987) and him getting busted in a Los Angeles park toilet. Sorry, but that’s where my mind goes (and the number of times I narrowly avoided a similar fate as a young man – DON’T ACT ALL SHOCKED AND SURPRISED, I never claimed to be an angel).

Faith is one of my go-to high fidelity recordings. By that I mean the recording itself—along with the performance—is the type of disc I would take to an audio salon to audition equipment. It’s intimate. It’s expansive. You can almost hear every breath as he sings.

But I realized today that his 1990 followup, Listen Without Prejudice shares many of those qualities. I find myself just getting lost in Cowboys and Angels. As we used to say, it just plays me.

Patience (2004) feels different from the other two, but it stands proudly on its own right—and retains the impeccable sonic qualities of its brethren. Amazing and Flawless (Go To The City) are two cuts that make we want to get up off my tired, sagging ass and dance.

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J’Adore

One week of break-in, and I’m loving these more and more. No regrets. They really are as good as everyone says they are.

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Released 42 Years Ago Today

Prince: Purple Rain (1984)

One of my grails is to own this on purple vinyl, but sadly prices on the resale market remain astronomical.

Cheaper than last year, but selling for way more money than I’m willing to spend on a piece of vinyl…

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Cheeky Bastard

I pulled out my Stax electric earspeakers from the media cabinet this afternoon fully intending to photograph and then throw them up on eBay.  They seem to be going. from $125-200, so that’s not just a little walking-around money.

Out of curiosity—since I’ve been listening to so many different types of headphones lately—I went ahead and hooked them up to my amp and took a listen. Wouldn’t you know, they sound pretty damn good; definitely as good as anything else I’ve been auditioning over the past few years.

I think the reason I stopped using them was because they were such fidgety, specialized cans that require the intermediate energizer box connected to an amp’s speaker outputs in order to work. In other words, they couldn’t be used with any of my portable devices and as those became increasingly important in my life, being tied to one location was unacceptable.

That being said, for those rare instances when I do want to listen in the living room privately, I’ve decided to hold on to them and keep ’em connected. They sound much better than I remembered and certainly match—if not slightly exceed—any of the other headphones I’ve been using over the past several years.

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Evening Listening And My Initial Thoughts On The Sennheiser HD600s

I Who Have Nothing and Take Me To Heaven: the first two songs I put through the new Sennheisers at angelic volume. Keeping in mind that these need a week or so to “break in” and it may change, as of right now I’m very happy with the purchase. They sound great right out of the box, and if anything, they’ve unabashedly revealed the differences between my CD players. Surprisingly, the oldest players I own, the D-10 and the D-15 (1988 and 89 respectively) sound significantly better than my newest, the D-EJ915 (1999/2000) and D-EJ100 (2004) but honestly, that may just be my imagination playing tricks.

They’re also high impedance and therefore power-hungry. On the older players I barely had to turn the volume control above it’s lowest setting to get decently loud with my other ‘phones; now I have to turn it about 1/4 of the way up. On the newer players with digital volume controls, I have to crank it to 3/4 of the way to max to get the same sound level.

On my main system, they’re

Comfort-wise, so far so good. The pads are big enough that they fit completely over my ears and the pressure on my glasses is minimal. We’ll see how that plays out as time goes by.

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My Favorite Headphones, Even Though I Still Can’t Wear Them For Extended Periods

WARNING: AUDIO GEEK STUFF AHEAD

I’ve been somewhat of a headphone nerd since forever. I remember getting my first pair (Pioneer SE-30s) as a Christmas gift from my folks when I was a sophomore in high school and so it began. I only remember this exact timing because that was the year I first got into stereo equipment. They were heavy, bulky, and crushed my head, but oh, wasn’t it a glorious thing to be able to listen to my music without disturbing the rest of the family!

The next set I purchased myself from LaBelle’s several years later. This was the Stax SR-44 electret system. It’s a system because it consisted of the headphones (or earspeakers as Stax is fond of calling them) themselves, which connected to an auxiliary box which then connected to the speaker jacks on the back of your receiver or amplifier. The difference in sound was like night and day between the Stax and the Pioneers and I was smitten immediately. Unfortunately, the earspeakers had very poor strain relief on the cords, and the wiring at that junction would peridically break and I’d be forced with some very fiddly soldering required repairs.  After ten years or this nonsense, I finally gave up and tossed them in my car’s trunk to take to donation and completely forgot about them. Wouldn’t you know the car was broken into (street parking in San Francisco) and they disappeared along with everything else in the trunk.

I went without for a few years after that, finally replacing them with a pair of Sony “DJ” headphones that I kept until the faux leather on the earpads started disintegrating. I had no idea at the time these could be replaced, so they got tossed shortly before we moved to Denver in 2011.

I replaced the Stax SR-44 with a used system maybe five years ago and was surprisingly far less enthused than I was when I bought my initial pair back in 1978. Plus the cord that plugged into the auxiliary box was on the short side meaning I had to sit close to the amplifier (not practical) and yada, yada, yada. You get the idea. I still have them, but they haven’t been connected to anything in years.

I’d heard good things about Grado, so the SR60s were my next experiment in private listening. Everyopne said that the Grado sound was distinct and not to everyone’s liking, so I picked them up from Amazon, figuring I could easily return them if I didn’t like them. It turns out that I loved the sound, but after a nearly a year of daily use, the foam pads became so irritating that I couldn’t stand to have them on my ears for more than a few minutes.

I tried all of the online suggestions to alleviate the irritation problem (apparently I’m not alone) as well as buying the each variation of the earpads themselves that Grado sold. None of them were satisfactory. It was unfortunate because of all the headphones I’ve owned, I really liked the sound of the Grados the most. The cable, however, is another matter entirely, but I’m not going to get into that.

I finally gave up and got a pair of the Sony MDR-7506s a year ago, because I’d had a very good experience with Sony headphones in the past—earpad disintegration notwithstanding. In case you’re wondering, I also have a pair of wireless Airpods Pro that I use with my laptop and phone and they sound fantastic, but vintage CD/MD players don’t have Bluetooth connectivity so I need a wired solution.

Anyhow, the Sonys were like a breath of fresh air. They fit on my head well and didn’t irritate my ears at all—at least for the next year or so.  The only downside is that—unlike the reviewer above—when I wear glasses they get pressed uncomfortably against my temples. But eventually, they too reached the point I couldn’t stand to have them on for more than a few minutes at a time, with or without glasses. I put both the Sonys and the Grados away, and after trying several different brands from Amazon, I finally settled on some relatively inexpensive Vibes 202 IEMs that surprised me by how good they sounded. They don’t sit on my ears at all, which alleviates the entire problem of the irritation.

Out of curiosity I pulled both the Sonys and the Grados out of storage a couple weeks ago, hoping that the time away would allow my ears to tolerate one or the other again when I slipped them on. Sadly, even after buying a differentset of replacement ear pads (this time soft leather) for the Grados, I could wear them for extended periods. but the pads themselves affected the sound and all of a sudden everything was muddy.

Ugh.

So I tried the Sonys again. They were now beginning to suffer the infamous breakdown of the faux leather earpads so I ordered a replacement set. Let me say, between the Sonys and the Grados, I can tolerate the Sonys far longer. It’s still not ideal, but I can usually make it through a couple CDs now before having to rip them off my head.

I bit the bullet ordered the famous Sennheiser HD600s. and I’m awaiting their arrival. Hopefully they will sound as good as the universal praise lavished on them  justifies, will fit my head comfortably, and most importantly—not irritate my ears so I can go back to extended periods “plugged in.”

But if not…I can always send them back. I’ll let you know how it goes.

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I’m Such A Geek

What audio geek does not appreciate some nekkid pix?

I want to say that getting the top cover off was the hardest point, but getting it back on was much, much worse. More than once the fiddly bits that keep it locked in place went flying when I was trying to get them back in. Thankfully I found them each time.

Curiosity almost killed the cat.

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Green

I’ll say this about Sony: back in the day they certainly knew how to do green…and blue…and red…and orange—something Apple could take a lesson or two from now.

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