Did I Say Eight Was Enough? I Meant…Nine, Er…Ten Was Enough

You may have noticed that sapphire blue beauty in the top row in some of my recent posts.

It’s a Sony D-EJ985. While not from the last model year Sony made portable CD players or even the newest in my collection, it (along with the D-EJ915) are my favorites and is one of their best IMHO.

You’ll also notice another D-EJ985 in silver at the lower right corner. That one appeared on my eBay feed first, and was advertised as “Untested. Comes with charging stand, but power cord is frayed and I have no gumstick batteries to test functionality.” It was ridiculously cheap, looked to be in excellent cosmetic condition, and since I’d been wanting this particular model for a while and the 985s are usually way out of my price range, I jumped on it. I figured I could always send it off to “my guy” Shawn for repairs if it wasn’t working.

Of course, as is often the case, within a day of sending payment, the much more desirable blue one appeared. That color! Yowsah! I had to get it. (It was also manufactured in a plum/maroon color.) Despite my rather monotone existence, I do enjoy splashes of color.

It was selling for about $20 more than the silver model, but the seller evidently didn’t do his homework prior to putting it up, because I got this one well, well below what a fully functional, “tested” unit typically goes for.

Turns out they both work beautifully. I have Sony power bricks that work with them just fine and I’ve even got an inline remote that came with one of my MD players that is essentially the same thing that originally shipped with the 985s.

I certainly don’t need two of the same model in my collection (even if they’re different colors) so I’ll be eBaying the silver one this weekend.

 

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Morning Tunes

Hott City – Ain’t Love Grand (1979)

This album—although never a commercial success (and as far as I know, the group’s only release)—holds a very special place in my heart. One of the few pieces of vinyl to survive my expensively-stupid great purge in the late 80s, I still have the original white vinyl copy that Steve Golden gave me all those many, many years ago.

Needless to say, it was quite a treat to stumble across the CD in 2024.

Don’t judge me.

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Almost every time I post one of Sony’s early Walkman models, someone asks why the company cannot simply bring them back. I understand why. There are stories almost every week announcing that cassettes and CDs are back, and several manufacturers now sell new players for both formats. From the outside, it can look as though Sony only needs to choose one, update a few things, and put it back into production.

Akira Tanaka, who spent years designing Walkman at Sony, says it would be much closer to starting over.

Tanaka is a former Sony mechanical engineer whose published project list spans four types of Walkman: five cassette models, eight CD models, two MiniDisc models, and ten generations of file-based players. He was project manager for the camera-equipped MZ-DH10Pand the MZ-RH1, Sony’s final Hi-MD Walkman. He later served as mechanical engineering manager for several digital Walkman generations, including the A820 and X1000 series.

He remained at Sony until taking early retirement in February 2025. Today, he owns more than 70 Walkman products and 279 catalogs, and he writes about the machines he helped create almost every day.

Tanaka is probably my favorite person to follow online. I eagerly wait for anything he has to say about Walkman history because nobody else has his combination of firsthand experience, technical knowledge, and personal archive. He has answered my questions, looked at my work, and helped me with the Obsolete Sony archive. I think of him as my Walkman senpai, and I am still slightly amazed that I get to talk with someone who helped make the products I spend so much time documenting.

In a recent post, Tanaka gave six reasons Sony would have difficulty reissuing its cassette, CD, or MiniDisc Walkman models. His explanation reveals how much of the world that produced the Walkman has disappeared.

1. The Parts No Longer Exist

The miniature motors, magnetic heads, optical pickups, and proprietary integrated circuits used by these players have gone out of production. Sony cannot pull an old bill of materials from its files and order everything again. Suppliers moved on, production equipment was retired, and some companies may no longer be in those businesses. A working WM-EX2000 can make this difficult to believe, but any drawings still held by Sony describe components that nobody manufactures today.

Replacements could be designed, but nearly everything around them would need to change. A new cassette Walkman would need a transport, motor, head, control system, power supply, tooling, and housing built around components available now. A CD Walkman would need a new optical assembly and disc mechanism. A MiniDisc player would add a magnetic recording head, signal processing, and software. Sony can do all of this, but each format would require a new development program.

2. The Manufacturing Technology Has Been Lost

Later Walkman models were extremely small, thin, and precise. Sony reached those dimensions by designing each part around the others. Motors became flatter, circuit boards wrapped around moving assemblies, clearances almost disappeared, and the exterior casing sometimes became part of the structure.

That work depended on dedicated production lines and adjustment procedures. Drawings can record dimensions and tolerances, but they do not always record how a line was tuned after the first few thousand units, which jig solved an alignment problem, or which adjustment stopped a mechanism from wearing too quickly. Much of that knowledge stayed with the engineers and factory workers who used it.

This is why a new cassette player can be larger and mechanically worse than a Walkman sold more than 30 years ago. The factories making portable cassette mechanisms today are serving a small, inexpensive market. During the Walkman’s peak, shaving another millimeter from the body could justify a new motor and new tooling. That level of spending ended with the mass market.

3. The Economics Do Not Work

Plenty of people say they want a new cassette or MiniDisc Walkman, but the total market is still small. Collectors and physical-media fans are active online, which can make demand look larger than it is.

According to Tanaka, even sales in the tens of thousands might not recover the development and tooling costs. Low production volume would also raise the price of every specialized component. By the time Sony covered manufacturing, warranty service, and support, the player would be far more expensive than the simple reissue many fans have in mind.

4. MiniDisc Media Is Disappearing

CDs are still widely available, and cassettes continue to be manufactured in smaller quantities. MiniDisc is different. In January 2025, Sony announced that it would end production of all recordable MiniDisc media the following month, along with MD Data discs, MiniDV cassettes, and recordable Blu-ray media. Sony also said there would be no successor products.

A new MD Walkman would arrive after Sony stopped making blank discs for it. Used and unopened media will remain available for years, but the supply can only decline. Relaunching the hardware would make little sense unless Sony also restarted the media.

5. Development Resources Are Limited

Sony still develops Walkman. They are Android-based Hi-Res players built for local files and streaming, and that is where Tanaka believes the company can realistically concentrate its limited engineering staff and development budget. These players may have little in common with a cassette Walkman beyond the name and the fact that both play music through headphones. Sony chose to continue Walkman as a digital audio category and retire the cassette, CD, and MiniDisc mechanisms.

6. Tanaka Is No Longer at Sony

Tanaka makes his own departure the sixth reason. His joke points to another loss: Sony still has drawings, reports, patents, and test data, but it no longer has every engineer who remembers why a part was changed, which prototype failed, or how a production problem was fixed.

Some of that knowledge was passed to younger engineers, as Sony’s interview with Tanaka about the NW-X1000 shows. Once Sony stopped making mechanical Walkman models, however, there was no reason to keep passing along every detail of how to manufacture one.

Most of Tanaka’s six reasons are easy enough to guess. I still found it special to hear them from him. Sony has always been a company in motion. It launches the next thing and rarely explains why the old one can no longer be made. The Walkman moved from cassette to CD, MiniDisc, flash memory, and eventually Android, while the people, suppliers, tools, and knowledge behind each generation scattered.

Tanaka was close enough to this history to know what disappeared along the way. Sony will probably never publish a formal explanation of why those old Walkman models cannot come back. His post may be the closest answer we will ever get.

Make sure to follow Akira Tanaka on X, where he continues to share firsthand stories from Sony’s portable audio history.

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Morning Coffee With Ella

Ella Fitzgerald – Ella Fitzgerald Sings The Cole Porter Songbook (1997 reissue)

I know I’ve featured this album before in another context, but fuck it. This is my blog and I’ll do what I want.

Love is Love and all that, indeed, but so many of Cole Porter’s songs take on an additional, personal—color—when you consider he was a gay man who—if only subconsciously—wrote these songs as if they were being sung to another man.

He lived a very interesting life.

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Saturday Evening Soundtrack

Miles Davis – Bitches Brew (1970)

I love Miles Davis, but I’m still trying very hard to like and appreciate this one. I put on Miles to relax, and Bitches Brew is anything but relaxing.

I have several suggestions both from here and Reddit on which way to go from here in regard to exploring the Miles Davis catalog, but it seems my CD budget is always getting pulled in some other direction. (Most recently I have the soundtrack to Sweet Charity on order.)

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ReRe Has Really Outdone Himself This Time

This guy puts vintage stuff up for sale with the most outrageous prices. When I was looking for a tuner a few months back, the model I was looking at was typically going for less than $100. He had one listed for $1200—about five times what it sold for when it was new.

So yeah, I have only one explanation for his prices:

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Afternoon Dance Party

Disco Discharge – European Connection (2010)

I had never heard this track before (weird, I know, right?) but I absolutely love it. It plays me.

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Someone’s On Crack If They Think They’re Going To Get That Amount

Insanity.

Yeah, at the time of its manufacture, this was Sony’s top-of-the-line high-end player, and even now it’s legendary and highly sought after by audiophiles and collectors—and even I would love to own one—but not at even a quarter of that asking price. No one in their right mind is going to pay that amount, even if it has the optional wood side panels and comes with the original box.

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Belts Are Important

WARNING: GEEK STUFF AHEAD

Back in April I picked up this beauty off eBay. The seller indicated it was “fully functional,” but like most vintage electronics on eBay the description was…shall we say, optimistic.

Immediately after unpacking and powering it up I noticed it had severe drawer problems. Yes, it worked, so I guess that would qualify as “functional,” but fully? It definitely struggled with opening and closing so I wouldn’t have decribed it that way. As I’m sure I’ve documented before, I’ve seen enough CD deck repairs on YouTube to immediately recognize a stretched drawer belt when I saw one. I put in an order for a replacement with West Coast Belts and not-so-patiently awaited its arrival.

Replacing the belt after I received it wasn’t all that difficult, even though the belt and pulleys were on the bottom of the CD mechanism itself. Thankfully the original belt hadn’t yet turned to black goo and was easy to swap. The belt I received wasn’t a 1:1 copy of the original; it seemed to have a bit smaller diameter and it was about half the thickness. Still, by this point I had it all torn apart and I wasn’t going to put everything back together without first giving the new belt a shot.

There was an improvement from the old sagging belt, but not much. Using a belt that’s too small is just as bad as using one that’s too big. I emailed the company and pointed out the size discrepancy. They said they’d send out a different one.

Another week passed and the new belt arrived. This one seemed to be the proper diameter, but the thickness was still thinner than the original. “Better than nothing,” I said as I swapped it out. The drawer did work more smoothly now, but it still felt off.

I did one more search on the internet and found a another belt supplier in Germany. They didn’t advertise a belt for my particular model, but rather one for the unit directly above mine. These two decks use the exact same transport mechanism; it’s just the higher end unit had a few more bells and whistles in its circuitry. So I ordered it.

While waiting for its arrival, I thought I’d try a tech tip gleaned from all those videos: boil the old belt in water for about 5 minutes to rejuvenate the rubber and shrink it back to its original size.  I did that, and wouldn’t you know, after putting that one back in the machine, the drawer worked like buttah.

All was good until a few days ago when the drawer started lagging again when opening (or closing, I don’t honestly remember; it was annoying in any case). So much for my quick fix. The German belt had arrived a couple weeks earlier, but since everything was working I didn’t want to tear into the machine yet again, so I put the belt away for future use if my fix didn’t hold—and obviously it hadn’t.

At this point I really didn’t want to deal with this belt issue anymore, so I hauled out my “new” deck from a few years ago and put it in the system. What I’d forgotten about this new Yamaha is that something had changed in their implementation of the optical digital connection. Whereas the old Yamaha with the belt issues could dub optically to my MiniDisc deck and create tracks correctly, this new deck absolutely refused. The MiniDisc deck didn’t detect any track breaks so it recorded a CD as one continuous track that needed to be broken up afterwards. This was always a pain in the ass, so I decided to play around with belts again.

I mean, I had nothing much planned today and nothing else really to do, so I disconnected the player, opened it up and for some reason stupid reason instead of installing the new German belt, reinstalled the older, new, exchanged one. Everything seemed to work fine, so I buttoned everything up and put it back in my system.

It wasn’t five minutes before I realized things still weren’t right. Did I miss something when I was reassembling it? Did I over-tighten a screw somewhere?The drawer started shuddering (it’s the only way to describe it) when it opened. This hadn’t happened when it was installed before, but a shuddering tray is a definite sign of a belt being too tight.

Fuck me.

I pulled it out of the system, popped the cover, and removed the mechanism again. This time I installed the new German belt and it’s been working fine all afternoon. That belt is still a bit thinner than the original, but the diameter is spot on and the shuddering is gone.

So what did I learn? Like in many things in life, sometimes girth is more important than thickness.

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Morning Soundtrack

Ray Lynch – Deep Breakfast (1986)

Sometime in 1987 or thereabouts, on one our many little tribe’s outings via ferry from SF to Sausalito (being newly-relocated desert rats we enjoyed any time on the water we could), I first heard this album. It was playing in one of the many New Age souvenir/crystal shops that dotted the main drag at the time and I was immediately enchanted. Fortunately I didn’t have to go far to get a copy, as they had an extensive in-store CD selection for sale.

Playing this always envokes the emotion of that afternoon if even the now sadly degraded memories of what actually expired outside that shop are fleeting.

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The Beginning Of A Mellow Afternoon

Joey Alexander – Warna  (2019)

And believe me, it’s needed.

I took Sophie in for her annual shots this morning.

“Dad! I do NOT like this! Can we please go home?”

She was such a good girl however, that we stopped for a pup cup on the way home.

Prior to leaving this morning, I was about to do my usual breakfast routine, but discovered I was out of the Kate Farms solution (haven’t received my monthly supply from the healthcare distributor and my most recent order from Amazon hadn’t arrived yet), so I combined my iced coffee with two cartons of isosource. All was well and good until right before I left for the vet and the most horrific reflux hit. Apparently I overdid it on the volume and my stomach didn’t like it one bit.

The worst part of not being able to swallow is when you get reflux. If everything were functioning properly, I’d whip up a glass of baking soda solution, swallow it, and  everything would be right as rain. Unfortunately, that’s no longer an option. Yeah, I can still do the baking soda solution via the g-tube (after using the tube to drain the excess stomach contents) to quiet my stomach, but there’s no way of immediately relieving the burn left in my throat from the reflux. And of course there was a certain amount of aspiration, so my O2 (after being 98-100% for weeks now) took a—thankfully brief—nosedive to under 90%. It’s since recovered  to the mid 90s, but damn…it wiped me out and I wanted nothing more upon returning home than to take a nap.

That’s passed now, but it’s still going to be a very low-key, quiet afternoon and Joey Alexander is a perfect accompaniment for that.

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“Eight Is Enough” Of Anything

Famous last words.

I suppose there are worst things to spend my money on, but collecting shit is a fun hobby no matter what you collect, be it antiques, Hummel figurines, Beanie Babies,  Candlewick glassware (in the case of my sister), or in my case, portable CD/Minidisc players.

Yeah, I know I should be saving, saving, saving with all the uncertainty in the world right now, but let’s face it: with that madman in the White House everything could go up in a mushroom cloud at any moment because someone disrespected his fragile ego one too many times and the only solution in his addled brain was to start WWIII. And even if it doesn’t get that crazy, none of us has any guarantee of tomorrow—especially if you’re dealing with ongoing health issues—so find joy in what and where you can.

And these little nuggets bring the geek in me much joy.

I’ll admit there is a fine line between collecting and hoarding, however. Fortunately I don’t think I’ve crossed that line, nor have any of my living relatives. My late father, however, was not a collector. He was a hoarder, and no matter how many times we tried to help him declutter (or even so much suggesting that he move into a new apartment) we were met with incredible resistance to the point of outright meltdowns. When he went into skilled nursing and we knew he’d never be going home again, I spent a couple days cleaning his place while I was in town and ended up filling an entire residential dumpster. After he passed it was a Herculean task for my sister (I was back in Denver at the time) to clean the rest of his place out and get it ready for sale.

I hope that when my time comes, whoever has to go through all my shit doesn’t feel like I had crossed the line.

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