Released 40 Years Ago Today

Madonna: True Blue (1986)

From Behind the Grooves: (sadly, link is broken as of 2026)

“True Blue”, the third album by Madonna is released. Produced by Madonna, Patrick Leonard and Stephen Bray, it is recorded at Channel Recording in Los Angeles, CA from December 1985 – April 1986. After the massive whirlwind success of the “Like A Virgin” album and “The Virgin Tour”, the pop superstar does not rest on her laurels, beginning work on the crucial follow up at the end of 1985. Working with long time collaborator Stephen Bray and new producer Patrick Leonard (Michael Jackson, Jody Watley), the album is praised upon its release as her strongest effort to date, and is widely regarded today as one of the best albums of her career. It spins off five top five hits including “Live To Tell” (#1 Pop), “Papa Don’t Preach” (#1 Pop), “Open Your Heart” (#1 Pop) and the title track (#3 Pop). “True Blue” also marks the beginning Madonna’s long association with famed fashion photographer Herb Ritts who shoots the LP’s iconic cover photo. The original LP package also includes a poster of the album cover shot. As a promotion for the album, MTV sponsors the “Make My Video” contest, inviting viewers to submit their own visual interpretations of the title track. The winning entry comes from Angel Gracia and Cliff Guest, whose black & white clip is rotated heavily on the video channel. The pair are awarded a check for $25,000 by the pop superstar herself at MTV’s New York studios. The alternate video directed by James Foley, featuring Madonna with close friends actress Debi Mazur and fashion designer Erika Belle is shown largely outside the US. Madonna also supports the album with the worldwide “Who’s That Girl Tour” beginning in June of 1987. It is remastered and reissued on CD in 2001, with the extended 12″ mixes of “La Isla Bonita” and the title track included as bonus tracks. The vinyl LP is reissued in Europe in 2012, including the original inner sleeve lyric sheet and poster featured in the original release. In October of 2016, a limited edition release of the LP pressed on blue vinyl, is issued as exclusive through the European supermarket chain Sainsbury’s. “True Blue” spends five weeks at number one on the Billboard Top 200, and is certified 7x Platinum in the US by the RIAA.

I mean, the whole album is bangin’ and deserves to be played at 1 am disco-packed-with-big-sweaty-menz volume, but the title track especially moves me. It’s one of those songs that when it comes on I have to stop what I’m doing, crank the volume to angelic heaven-is-a-disco, make your ears bleed volume and DANCELa Isla Bonita is a close second in that category.

My unbridled love for this album and the accompanying quest to acquire it on “true blue” vinyl has been well documented on this blog, so I won’t add anything more and instead will sign off and go listen to it.

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Afternoon Soundtrack

George Michael – Listen Without Prejudice (1990)

George Michael – Patience (2004)

Both are severely underrated albums.

When I think of George Michael, I think of Faith (1987) and him getting busted in a Los Angeles park toilet. Sorry, but that’s where my mind goes (and the number of times I narrowly avoided a similar fate as a young man – DON’T ACT ALL SHOCKED AND SURPRISED, I never claimed to be an angel).

Faith is one of my go-to high fidelity recordings. By that I mean the recording itself—along with the performance—is the type of disc I would take to an audio salon to audition equipment. It’s intimate. It’s expansive. You can almost hear every breath as he sings.

But I realized today that his 1990 followup, Listen Without Prejudice shares many of those qualities. I find myself just getting lost in Cowboys and Angels. As we used to say, it just plays me.

Patience (2004) feels different from the other two, but it stands proudly on its own right—and retains the impeccable sonic qualities of its brethren. Amazing and Flawless (Go To The City) are two cuts that make we want to get up off my tired, sagging ass and dance.

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I’m Such A Geek

What audio geek does not appreciate some nekkid pix?

I want to say that getting the top cover off was the hardest point, but getting it back on was much, much worse. More than once the fiddly bits that keep it locked in place went flying when I was trying to get them back in. Thankfully I found them each time.

Curiosity almost killed the cat.

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