Category: Music

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How Long Could You Hold The Attention of a Stadium Full of People?

I have had my issues with Madge over the past couple years, notably some of her unfortunate—in my humble opinion—decisions regarding plastic surgery, but I have to hand it to her: we're the same age and there's no way in hell I could ever do what she's doing in her concerts—especially considering she nearly died a year ago. I'd be gasping for breath after a single number (if I even lasted that long) and needing to sit down!

(And to think that when I was in my 20s I'd be out all night dancing to extended 30-minute song remixes!)

Many years ago I remarked that Madonna needed to start acting her age, settle down and put out an album of Torch Songs, but after seeing clips from her concert tour, I have to say, You Go Girl. You do you because whatever you're doing, it's working!

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Bohemian Rhapsody

From Workmen and Rednecks:

Why is the song called 'Bohemian Rhapsody'?

Why does it last exactly 5 minutes and 55 seconds?

What is this song really about?
Why did the Queen movie premiere on October 31?
The movie premiered on October 31 because the single was first heard on October 31, 1975. It's titled that way because a 'Rhapsody' is a free-form musical piece composed of different parts and themes that seem unrelated to each other.
The word 'rhapsody' comes from Greek and means 'assembled parts of a song.'
The word 'bohemian' refers to a region in the Czech Republic called Bohemia, where Faust, the protagonist of Goethe's work of the same name, was born. In Goethe's work, Faust was an elderly and intelligent man who knew everything except the mystery of life. Unable to comprehend it, he decides to poison himself.
At that moment, church bells ring, and he goes outside. When he returns to his room, he finds a dog that transforms into a kind of man. It's the devil, Mephistopheles. He promises Faust a full life without misery in exchange for his soul. Faust agrees, rejuvenates, and becomes arrogant. He meets Gretchen and has a child. His wife and child die. Faust travels through time and space and feels powerful. When he becomes old again, he feels miserable once more. Since he didn't break the pact with the devil, angels contend for his soul.
This work is essential to understanding 'Bohemian Rhapsody.'
The song is about Freddie Mercury himself. Being a rhapsody, it has 7 different parts:
1st and 2nd acts – A Capella
3rd act – Ballad
4th act – Guitar solo
5th act – Opera
6th act – Rock
7th act – 'Coda' or final act
The song talks about a poor boy questioning if this life is real or if his distorted imagination is living another reality. He says that even if he stops living, the wind will keep blowing without his existence. So, he makes a deal with the devil and sells his soul.
Upon making this decision, he rushes to tell his mother and says…
"Mama, I just killed a man, put a gun against his head, pulled my trigger, now he's dead. Threw my life away. If I'm not back again this time tomorrow, carry on, carry on as if nothing really matters…"
The man he kills is himself, Freddie Mercury.
If he doesn't fulfill the pact with the devil, he will die immediately.
He says goodbye to his loved ones, and his mother breaks into tears, tears and desperate crying that comes from Brian May's guitar notes. Freddie, terrified, cries out, "Mama, I don't want to die," and the operatic part begins. Freddie finds himself in an astral plane where he sees himself: "I see a little silhouette of a man"… "Scaramouche, will you do the Fandango?"
Scaramouche is an "escaramuza," a skirmish between armies with horseback riders (4 horsemen of the Apocalypse of evil fighting against the forces of good for Freddie's soul), and he continues, saying, "Thunderbolt and lightning, very, very frightening me."
This phrase appears in the Bible, specifically in Job 37 when it says, "the thunder and lightning frighten me: my heart pounds in my chest." Seeing his son so scared by the decision he has made, Freddie's mother begs to save him from the pact with Mephistopheles. "He's just a poor boy…" "Spare him his life from this monstrosity." "Easy come, easy go, will you let me go?" Her pleas are heard, and angels descend to battle the forces of evil. "Bismillah" (an Arabic word meaning "In the name of God") is the first word in the holy book of Muslims, the Quran. So, God Himself appears and shouts, "We will not let you go."
In the face of such a confrontation between good and evil, Freddie fears for his mother's life and says, "Mama Mia, mama Mia, let me go." They shout again from the sky that they won't abandon him, and Freddie cries, "No, no, no, no, no," and says, "Beelzebub (the Lord of Darkness) has a devil put aside for me." Freddie pays homage here to Wolfgang Amadeus Mozart and Johann Sebastian Bach when he sings… "Figaro, Magnifico," referring to Mozart's "The Marriage of Figaro," considered the greatest opera of all time, and to Bach's "Magnificat."
The operatic part ends, and the rockier part bursts in. The devil, angry and betrayed by Freddie not keeping the pact, says, "So you think you can stone me and spit in my eye? So you think you can love me and leave me to die?"
It's chilling how the Lord of Evil feels powerless against a human being, against repentance and love.
Having lost the battle, the devil departs, and we reach the final act or 'coda' where Freddie is free, and that feeling comforts him. The gong that closes the song sounds. The gong is an instrument used in China and East Asian cultures to heal people under the influence of evil spirits.
It lasts for 5:55 minutes. Freddie liked astrology, and in numerology, 555 is associated with death, not physical but spiritual, the end of something where angels will safeguard you. 555 is related to God and the divine, an ending that will lead to a new beginning.
And the song plays on Halloween eve for the first time. A holiday called 'Samhain' by the Celts to celebrate the transition and opening to the other world.
The Celts believed that the world of the living and the dead were closely connected, and on the Day of the Dead, both worlds would unite, allowing spirits to cross over.
Nothing in 'Bohemian Rhapsody' is coincidental.
Everything is carefully crafted and has a meaning that goes beyond being just a song.
It has been voted worldwide as the greatest song of all time.
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Ain't That Enough For You

I kind of wish I'd watched more Soul Train back in the day 'cuz this was the music I was dancing to. But as I remember it was broadcast Sunday morning, and after having been out all Saturday night, Sunday mornings just weren't my jam… Plus I also seem to recall the music they were dancing to on the show was always already old and tired to us gay club kids.

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Released 44 Years Ago Today

Elton John: Blue Moves (1976)

Like many others, when  Blue Moves first came out, and for many years later, I had a love/hate relationship with this album. The sound was so different from all of Elton's previous work, and yet still so fresh. It also annoyed me no end back in the day that all four sides of the album wouldn't fit on a standard 90 minute cassette tape, requiring that you buy a notoriously thin and prone to breakage and entanglement-in-the-player 120-minute cassette.

Now, of course, I think this collection is brilliant.

Favorite tracks: One Horse Town, Boogie Pilgrim, Crazy Water, Shoulder Holster, Sorry Seems To Be The Hardest Word, If There's a God in Heaven (What's He Waiting For?), and Bite Your Lip (Get Up and Dance).

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Memories of My Arrival in San Francisco

Picture it: San Francisco, August 1986. Before I was employed and settled into my own place, I was staying with some friends of my best buddy in a grand old Victorian on Haight Street, and one afternoon I was poking around in the guest room closet and ran across a cache of vinyl. Among the many records I hadn't heard previously was this gem, Boom Boom by one-hit wonder* Paul Lekakis. I had no idea a video had ever been made, so stumbling across this on YouTube  the other day was a surprise.

The full 12-inch version, of Boom Boom if you're so inclined.

Okay, I know it's not the greatest song in the world, but much like Sparks' Music That You Can Dance To (that I also found in that same cache of vinyl) it is inexorably tied to my first few months as a San Franciscan.

*Further research via Discogs and Spotify indicate that Mr. Lekakis has put out work since the 80s, but after listening to (most of) it, I can't honestly say I've heard any of it. (And quite frankly, none of that matches Boom Boom—with the possible exception of Fruit Machine, which has that same mid 80s energy.)