Culture Club: Kissing to Be Clever (1982)
The year that performers like Boy George and Annie Lennox burst on the scene…it was the year of total androgyny.
Once a legitimate blog. Now just a collection of memes 'n menz.
Culture Club: Kissing to Be Clever (1982)
The year that performers like Boy George and Annie Lennox burst on the scene…it was the year of total androgyny.
France Joli: Come To Me (1979)
With a number of hit songs and a trajectory that has lasted her through four decades of performing, Joli is an icon in her own right. Yet still, many people don't know much about the disco legend.
On the runway of the "Warhol Ball" on RuPaul's Drag Race All Stars 3, Brooklyn's own Aja got read the house down by RuPaul for not polishing up her disco knowledge. While there were multiple problems Mama Ru had with Aja's statements, her major gripe came when Aja mispronounced the name of disco star France Joli.
The name may be unfamiliar to some, but upon hearing a few bars of her smash hit 1979 song "Come to Me," audiences will recognize the diva's stunning voice, still played on radio stations across America. While Joli was unable to repeat Billboard Hot 100 success with her follow-ups, her catalog remained popular within the disco scene. Four decades later, Joli is still performing, an icon in her own right.
Yet still, many people don't know much about the disco legend. Here are five things that you ought to know.
She was 15 years old when she recorded her debut hit album.
A natural performer since a young age, Joli was adamant about breaking into the music industry. The opportunity presented itself when a young Joli met musician and producer Tony Green. She auditioned for him at age 15, and three days later, Green already had her hit song "Come to Me" written for her. They recorded her self-titled album in 1978, and it was released in 1979, when Joli was 16.
Her performance at Fire Island in 1979 is the stuff of legend.
After the release of her album, Joli was presented with an opportunity that would go on to effectively change the course of her career. Donna Summer — the disco legend and Joli's personal hero — had suddenly canceled a performance at a beach concert in Fire Island. The promoters reached out to Joli to see if she could stand in for Summer. Joli agreed.
Now famously known as the "Beach '79" concert, Joli performed for a crowd of 5,000 cheering gay men. Her performance was so strong and so good, that her song "Come to Me" began to skyrocket. After this performance, Joli became an overnight sensation.
"Come to Me" peaked at No. 15 on the Billboard Hot 100 chart
On the heels of her massively popular Fire Island performance, Joli saw her song reach a peak position of No. 15 on the Billboard Hot 100 chart. While Joli went on to have a prosperous career with several popular songs, none of them were ever the sensation that was "Come to Me."
She still performs across America today
After 40 years in the music industry, Joli is still performing. She travels around the country performing at clubs, benefits and festivals, still singing her hit songs from the height of disco. In a 2017 interview with Instinct magazine, Joli said "If someone had told me in 1979, when I was just 16 years old, that I would still be singing my first and biggest hit almost 40 years later, I would have thought they were crazy."
She has always been an ally to the gay community.
Joli, to this day, still recognizes that her career would never have been the same without the thousands of gay men on Fire Island who catapulted her into the spotlight. She was an active voice during the AIDS crisis of the '80s, and still supports and raises awareness for LGBTQ issues today. Not to mention that many of her shows to this day are at gay events and clubs.
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Silver Convention: Save Me (1975)
Madonna: You Can Dance (1987)
https://www.youtube.com/playlist?list=OLAK5uy_kCr8MQoq8KCIboAp61hoX0wiIqC2W14yE
Jean-Michele Jarre: Equinoxe (1978)
Equinoxe 5: With a double sun in a clear blue sky overhead, skimming over endless dune fields in my landspeeder, baby!
I remember the first time I heard this track, I called my friend Kent, and—holding the receiver up to one of the speakers—screamed, "LANDSPEEDERS, Kent! LANDSPEEDERS!"
(At this very moment, I'm listening to the second half of the album at ear-bleeding volume through my headphones and experiencing some absolutely indescribable joy.)
Grace Jones: Inside Story (1986)
Madonna: Like A Virgin (1984)
https://youtu.be/hmIFcekpyBY
Carpenters: Horizon (1974)
What struck me most about this album back in the day was the audio quality. I don't know what magic the recording engineers used, but Karen's voice was crystal clear and it seemed you could hear every instrument used in the arrangements.
Their take on "Please Mr. Postman" remains one of my favorites.
Grace Jones: Living My Life (1982)
You can read about Lucille here.
Elton John: Madman Across The Water (1971)
Barbra Streisand: The Broadway Album (1985)
I was never a Streisand fan (I know, I know, turn in my gay card) until this album came out. And even then it was only one of a handful of her albums that I ever bought.
Donna Summer: Once Upon a Time… (1977)
Her masterpiece, and as I have written of many times before, an album that holds a very special place in my heart.
I have had my issues with Madge over the past couple years, notably some of her unfortunate—in my humble opinion—decisions regarding plastic surgery, but I have to hand it to her: we're the same age and there's no way in hell I could ever do what she's doing in her concerts—especially considering she nearly died a year ago. I'd be gasping for breath after a single number (if I even lasted that long) and needing to sit down!
(And to think that when I was in my 20s I'd be out all night dancing to extended 30-minute song remixes!)
Many years ago I remarked that Madonna needed to start acting her age, settle down and put out an album of Torch Songs, but after seeing clips from her concert tour, I have to say, You Go Girl. You do you because whatever you're doing, it's working!
From Workmen and Rednecks:
Why is the song called 'Bohemian Rhapsody'?
Why does it last exactly 5 minutes and 55 seconds?
Stevie Wonder: Journey Through The Secret Life Of Plants (1979)
Frankie Goes to Hollywood: Welcome to the Pleasuredome (1984)
And the whole thing, in case you're interested…because we need her irreverence these days.
Grace Jones: Slave to the Rhythm (1985)
Culture Club: Waking Up With The House On Fire (1984)
Madonna: Bedtime Stories (1994)
I kind of wish I'd watched more Soul Train back in the day 'cuz this was the music I was dancing to. But as I remember it was broadcast Sunday morning, and after having been out all Saturday night, Sunday mornings just weren't my jam… Plus I also seem to recall the music they were dancing to on the show was always already old and tired to us gay club kids.
Elton John: Blue Moves (1976)
Like many others, when Blue Moves first came out, and for many years later, I had a love/hate relationship with this album. The sound was so different from all of Elton's previous work, and yet still so fresh. It also annoyed me no end back in the day that all four sides of the album wouldn't fit on a standard 90 minute cassette tape, requiring that you buy a notoriously thin and prone to breakage and entanglement-in-the-player 120-minute cassette.
Now, of course, I think this collection is brilliant.
Favorite tracks: One Horse Town, Boogie Pilgrim, Crazy Water, Shoulder Holster, Sorry Seems To Be The Hardest Word, If There's a God in Heaven (What's He Waiting For?), and Bite Your Lip (Get Up and Dance).
Culture Club: Colour by Numbers (1983)