Kraftwerk: Computer World (1981)
When Was Your First?
And don’t tell me you’ve never had a three-way.
I’ll go first. It was 1978 I was working part time at Broadway Southwest in the housewares department. A very nice looking man came in looking for some kitchen gadget. I was apple to find what he was looking for, and after making the sale (accompanied with whole lot of flirting) he went on his way.
Fast forward to the following Friday or Saturday night at my usual hangout, Moon’s Truck. Who should show up? Yup. Same guy. “I could see the outline of your dick in those Angel Flights from across the store. Are you sure those pants meet The Broadway’s dress standards?”
We started chatting, and one thing led to another and he asked me home. He mentioned that his lover was there and would undoubtedly want to join in.
What the heck, I thought. I was young, foolish and about to go to a stranger’s house to engage in In flagrante delicto with him and another, unknown man. Try anything once, y’know? Hey, it was the 70s; it was what we did.
Long story short, it was underwhelming. His lover wasn’t bad looking, but I wanted to have sex with Craig alone. As I recall his lover had horrible B.O., bad breath, or some other hygiene problem (dirty ass, maybe?) and it was a complete turnoff.
I did connect with Craig one-on-one subsequently, but at that point it too was underwhelming and wasn’t repeated.
I did get a life tip from Craig that same afternoon and that’s the reason I will always remember him. I mentioned that my soft contact lenses—the kind that came in glass vials and were intended to last for a year (this was long before there were single-use or even monthly lenses) were becoming increasingly uncomfortable and driving home at night there were bright rings around every light source. “When did you enzyme them last?” he asked. “Enzyme them?” He looked at me incredulously. “Didn’t you know you’re supposed to soak them in an enzyme solution weekly to break up the protein that accumulates on them?” I told him I’d never heard of such a thing; my Ophthalmologist had never mentioned it. Needless to say I immediately went out and got the tablets and soaked my lenses overnight. They felt good as new afterward.
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A Request
Who Remembers?
Speaking Of Food That Doesn’t Taste The Same As It Did In The 80s…
And They Were Delicious
Underrated
Pet Shop Boys: Relentless (1993)
I love this album, mainly because it was so different from what PSB had put out up until that point.
I will forever associate this disc with a little club I happened upon called The Playground in San Francisco in August of 1993 because it seemed they were always playing it.
I discovered The Playground after I had started boxing up my life to move back to Arizona—for the first time—after nearly a decade in The City. City life—and still pining over Rory—I knew it was time for me to cut my losses and start new.
Once I’d made up my mind to leave however—going so far as to give notice at work and on my apartment—as she is wont to do, The City pulled out all the stops to get me to stay. One evening I was out in front of my apartment building washing the car, and an absolutely gorgeous man happened by, struck up a conversation, and the next thing I knew we were upstairs doing the nasty. I started meeting guys left and right. And then my friend Rick came over one evening and started singing the praises of The Playground.
I was no stranger to sex clubs, having frequented the 1808 on a regular basis just after moving to San Francisco and spending many a rainy night wandering the halls of Mike’s Night Gallery many years later, but I’d drifted away from those venues because it was easy enough to find sex pretty much anywhere in the city if you really wanted it. So why pay for it?
In any case Rick’s full-throated (pardon the pun) endorsement of The Playground let me to check it out one night.
From the description in my Journal at the time:
There ís something very primal about the place, something that ís very much linked to our deepest (and yes, darkest) sexual fantasies. The owners have a gold mine in their hands, if they know how to keep the ambiance alive.
It s a converted warehouse on 17th Street between Folsom and Harrison. The building itself is at the back of a large parking lot. It’s all gray metal with yellow painted trim. At night there are two rotating yellow beacons located on the loading dock where you go in. When you first enter, to the right is the admission area. When you pass through that, you first enter the television and refreshment area. There are several sofas clustered about a lone TV. If you proceed back, slightly to the left, the next area you come to is the glory hole space. It’s a series of black painted cubicles surrounding a raised platform. Naturally, there are more than ample holes drilled between the cubicles and the platform. Immediately to the right of this area is what I’ve come to call “the drive-in.” There’s an English taxi (vintage unknown) parked there that faces a projection television that plays the same porn videos that are playing in the television area. If you continue back toward the rear of the building from the drive-in, you get into another area dominated by separate cubicles. These cubicles surround another, smaller room, and they have small holes drilled at eye-level, allowing you to look into the smaller room and see whatís going on. When you exit the peep-hole area and head again, toward the rear of the warehouse, you pass “the dungeon” on your left, where you’ll find a sling and various other equipment I could not identify. To your right is the restroom (and yes, people do have sex in there). Continuing back, down a set of stairs, are three more spaces: the jail, the infirmary, and off the infirmary, a small room with a bed and a single lone light bulb. There’s something very eerie about these two rear rooms, although exactly what it is, I haven’t quite been able to put my finger on. The jail, which opened only recently, is very hot. It consists of a large area surrounding four cells, complete with bunks and toilets.

After visiting The Playground several more times, combined with all the men falling out of the sky, I abruptly changed my plans to leave and ended up staying in San Francisco for another nine months. By then the downpour of eligible bachelors had ended and I was at wit’s end with the same aspects of city life that had initially prompted my thoughts of moving back to Arizona months earlier. It was then that I returned to Tucson for six months before the siren call of The City prompted my return.
I have long held that Prince and David Bowie were the glue holding our reality together. It seems it all started going to hell after their departure from this plane…
Dearly Beloved, we are gathered here today to get through this thing called Life.
And getting through is a heartbreaking slog right now.
Now, I can’t quantify it, but I’m a firm believer that things really went to hell here after Prince died. A decade ago, losing both him and David Bowie within a couple of months was a collective gut punch I don’t think we’ve ever fully recovered from. I know I haven’t.
Over the past year, watching this fascist regime’s relentless assaults on his beloved Minneapolis, I’ve often thought to myself, “Prince wouldn’t have stood for this shit.” I wonder how he would be using his platform right now, and pulling his community together, and singing truth to power. He damn sure wouldn’t be silent.
A year before his passing, the Purple One released ‘Baltimore,’ a song lamenting the murders of Freddie Gray and Michael Brown by police, and the escalating violence and unrest in America, writing:
Nobody got in nobody’s way
So eye guess u could say
It was a good day
At least a little better than the day in Baltimore
Does anybody hear us pray?
4 Michael Brown or Freddie Gray?
While it’s been a beautiful thing seeing Bruce Springsteen, U2, Florence and the Machine, The Strokes, and so many others making art and launching tours to confront corrupt power, oppose violent bigotry, and call Americans to a higher level, Prince would have hit different. He always did.
I had the good fortune of seeing Prince close to a dozen times. These were, for me, spiritual experiences in the truest sense of the word: joy, liberation, unity, love, euphoria. It was baptism in blistering guitar, heavenly choirs of strangers, holy ground as a dance floor.
As he sang, Strangely beautiful, beautiful strange.
The first time I saw Prince at Philadelphia’s Tower Theater, I can remember standing wedged inside a sweaty, pulsing, kaleidoscopic mass of humanity, thinking: “These are my people!” I’d found my place.
Among a myriad of gifts, this was the solitary magic of Prince. He brought completely disparate groups of people together and made them feel they fit. He transcended musical genres, broke through color lines, and challenged gender roles. He boldly declared the dance floor big enough for all of us. And in that free and joyful place, we all danced.
When you were at a Prince show, you belonged. You were the right color, the right shape, the right religion, the right you. And in that space, you felt at home in your own skin and connected to those around you in ways that defy explanation. As much as anything right now, America could use those joyous nightly reminders of how many good people are still here and what we can still do together.
Prince gave me much more than hundreds of songs that altered my path and lifted my spirits.
He showed me that masculinity and femininity could inhabit the same space and be embodied in people simultaneously.
He made me realize that I could love God while being a complete contradiction.
He showed me that spirituality and sexuality weren’t divergent endeavors, but equally beautiful experiences of the Divine.
He taught me that friends don’t let friends clap on the two and four.
He showed me that humanity’s differences are where the glorious stuff is.
And he showed me that sometimes all you need is a funky beat and some friends who set you free.
Ten years after his passing, Prince’s artistic absence is palpable. As a singer, multi-instrumentalist, songwriter, producer, and dancer, he will forever be without peer; an artistic force of nature, the likes of which we had never seen, and will never see again. The talent, creativity, passion, and light that he left this planet with cannot be measured.
Prince gave me more joy than I can properly express. His music provided me with a place that felt like mine, but never made me feel alone. His shows gave me an occasional three-hour experience of Heaven coming down. As he sang in Uptown: “Black, White, Puerto Rican, everybody just a freakin’…good times were rollin’.” I miss standing in that space; that one where the world could sing one beautiful song together.
Yeah, the threats we’re facing are more complicated than a pop song, and no, life isn’t like a Prince concert, though maybe it should be. There is something defiantly subversive about collective joy. Prince reminded us that we need to fight hatred, but we couldn’t stop dancing.
To all my fellow freaks who are grieving the place we call home and feeling devoid of joy; to all the misfits, outcasts, and weirdos out there who find solidarity in their oddness and who want to make sure everybody gets to join the party:
May all your berets be raspberry.
May all your corvettes be red.
May all your rain be purple.
And if De-elevator tries to bring you down,
go crazy, punch a higher floor.
1959 Ford Galaxie Skyliner Retractable Hardtop
I Rather Like This One
…although I do have to ask who is that skinny old man, and why is he following me around in mirrors?
I’ve been overweight for most of my adult life. That’s why seeing myself like this is more than a bit of a shock. I’m currently about 5 lbs. more than I was in 1980 (22 years old) when I moved out of my parents’ house and into my first apartment. How do I know that? It’s because I bought a digital bathroom scale (it was the future, baby!) and the number that flashed on its blue fluorescent display is forever burned into my memory. Right now my goal is to simply maintain this weight and not lose any more.
Last night as I was drifting off to sleep, I was listening to Forever by Flight Facilities, and the last thing I remember was the song Heavy. I was suddenly the young man above, vibrant and full of energy, dancing and twirling to the beat. I felt the wind blowing in my hair and it was wonderful.
I may be an old fart whose body is seemingly disintegrating around me now, but that young man still lives inside.
Since We’re Already Down That Rabbit Hole…
Damn, Andy Bell was cute. But then, weren’t we all at that age?

“Live never to be ashamed if anything you do or say is published around the world—even if what is published is not true.” ~ Richard Bach, Messiah’s Handbook
Quote above notwithstanding, there’s a lot more to that photoshoot that I am not going to share. (Although if you were on a certain BBS in the early 90s you might’ve come across a photo from that shoot of me in a cowboy hat, leather vest, and…not much else.)
I Was Only 11…But I Remember 1969 Being WILD
Sammy Davis Jr. – Rhythm Of Life (1969)
My First
It Was A Different Time, Cont.

Hey…it was the late 70s and all of us of a certain age have photos like this hidden away. Don’t deny it!
Anyway, I was listening to this while I was getting ready this morning, and what struck me most was the fun embodied in the songs, especially the first track. While the late 70s were not without their problems, there’s no doubt that in comparison to 2025, it was a much simpler, more joyful time in this country.
It Was A Different Time
To Absent Friends…
As I’ve grown older, the list of absent friends continues to grow, and while not all of them are AIDS-related at this point, on every December 1st, I remember them all…

Kent Kelly

Ken Cohen

Steve Golden

Dennis Shelpman
Rick Ashworth aka Miss KC Dare

Jim Hagen

Chuck Krahe

Michael Nelson
Jim Nye

Kevin Ohm

Rick King

Ron Aiazzi

Grant Neilsen

Ric Hathaway

David Koston

Kim Holstein

Russ Alvarez

Marty Kamner
John Trapp
Bobby Farina
Brian Lea
Chuck Mayer
Richard Gulliver
Jim Girard
Keith Roseberry
Tom Farrel
Ben Walzer
Steve McCollom
Philip Ruckdeschel
Reminds Me…
Home
Take a moment. Sit down. Close your eyes. Think of all the places you’ve lived over the course of your life. Which of them made you feel the safest, the most loved? A place where, when you think of it brings a spontaneous grin to your face. In other words, Home with a capital H?
For me, it was the house my family lived in during my high school and college years. We moved in the day I started high school in September 1972. That morning I left the house we’d lived in since 1964 as an 8th grade graduate and came back to a totally new abode a high school freshman.
It was brand new construction in a new subdivision, “Bethany Heights,” located about a half mile south of where we’d lived for my grade school years.
It was also quite probably haunted. (Hard to explain with new construction, but there you go.)
My bedroom was downstairs. To this day I can close my eyes and see the afternoon sunlight streaming in through the window. It was quiet, safe, and felt like a private sanctuary from the hustle and bustle of the rest of the house. Ironic, considering the main gathering space in our house, the family room, occupied the same floor.
My dad had big plans for that house, only a few of which actually came to pass. He built a pair of floor to ceiling bookcases, dividing the living room from the dining room. He also built a wall of bookcases framing the window in my bedroom. He wanted to have a fireplace sunk and built in the family room as well as digging a secondary exit through the sewing room and putting in concrete stairs back to surface level, but neither of those ever happened. We did finally get an in-ground pool, but it happened only as I was getting ready to move out on my own.
My soon-to-be best friend lived across the street. We met shortly after my family moved in. Ken got me turned on to hi-fi equipment and rock-n-roll. As I’ve mentioned before, we’d sit in his room after he got back from CES (Consumer Electronics Show) in Chicago every summer and pour over the bags of brochures he’d brought back, dreaming of someday owning the equipment ourselves. When it came time to upgrade my childhood bicycle for my new commute to the high school, I followed his lead and got a yellow Schwinn Continental. Did parents really let their kids bicycle nearly three miles to school on these Phoenix streets on their own back then? Apparently so. Furthermore, it was expected. I got a ride to and from school only under extraordinary circumstances.
During my senior year, I had a crush on Daniel, a boy whose family had moved into the newly built part of the neighborood on the same street about a block to the west. When I say crush, I mean crush. We became friends. We hung out. We liked the same music. I liked taking long drives with him in his pink mustang. And keep in mind this was 1975. I wasn’t out, and profoundly frightened to profess my undying love, especially since he’d given no hints the feelings were mutual. (I’d tried that with a boy three years earlier only to destroy a friendship.) Anyhow, after my parents and sister would go to bed, I’d go out the side garage door, climb up the fence and onto the roof, and walk to the highest point of the roof that gave me an unobstructed view of the entire neighborhood—including Daniel’s house. I couldn’t see into his room, but I could see when the light was on and he was home. Crazy, huh? It’s not like today, where kids can call or text each other’s personal phones at any hour. I just wanted to make sure he was home and safe. I could’ve slipped and broken my neck countless times, but thankfully I was sure enough on my feet that it never happened—and no one called the police to report a boy on the roof of the house. But it was the 70s and a very quiet neighborhood.
This is also the house from my youth that still appears most often in my dreams.
Remember When Buying Music Was… Fun?
I was laying wide awake at 4 am this morning, and I was thinking how we consume music has so fundamentally changed over the past 40 years. Then I found myself remembering walking into Tower Records on Market Street in San Francisco as I’d done a countless number of times in the 90s. And once inside, I could easily recall the smell of the store. Next thing I knew I was grinning ear to ear.
Tower was a magic place for music lovers like myself. It had been since I first set foot in the original SF store at Columbus & Bay on a trip to the City before we eventually relocated there. It was a bit of a wonderland for me. I’d ordered Michael Stern’s Chronos soundtrack from them a month earlier, only to discover after it arrived that the disc was defective. I physically brought it with me on that trip so I could exchange it. While there I also found a record I’d been seeking for months: Michael Garrison’s Airborn that I dragged home on the plane with me. (Yeah, I was in the middle of my electronic new age period.)
A few years after we’d relocated to SF and Tower opened another store in the concrete monstrosity that had been constructed on Upper Market, somehow making up for the eyesore it occupied. I remembered many an afternoon pouring through the racks, either searching for something specific or just seeing if something piqued my interest enough to shell out $18 for a disc.
And then there were the times your favorite band/singer/group released something new and you prayed Tower had purchased enough copies that they’d still have one available when you got to the store.
It was also within walking distance of my apartment, so it was doubly dangerous.
Remember getting the disc home and trying to get it out of those horrible plastic blister packs without amputating a finger in the process? And then putting the disc in your CD player, sitting down, and pouring over the liner notes?
Ah, the ritual!
All that was lost with the advent of MP3s and streaming. I think that’s the reason there’s been a resurgence in the sales of physical media. It’s part nostalgia (at least in my case) to be sure, but it’s the physicality of the process. It’s the knowledge that you own the music you just bought; it won’t arbitrarily be pulled from your streaming service because of some corporate fight over licensing. And you can listen to it any time you want. No worries about network connectivity! And if you want to rip those discs to MP3 for your phone, you can!
The purpose of this post? I dunno…those memories that came flooding back (and the unexpected recollection of the smells) just kind of gobsmacked me in the dark silence this morning.
Oh, That I Could…
Released 48 Years Ago Today
Grace Jones: Portfolio (1978)
Released 49 Years Ago Today*
Alan Parsons Project: Tales of Mystery and Imagination (1976)
And thus began my love affair with the music of APP…
I first heard this at my buddy Gary’s house the summer immediately following our high school graduation. He had, in my mind, an absolutely killer system: a Kenwood KR-7400 receiver, Infinity 1001A Speakers, and a Technics SL-1400 turntable. I remember sitting there just mesmerized as this album played.
Gary and I had been friends since grade school. I remember him being a brilliant kid and we shared the same dry sense of humor as we moved into high school. We stayed in contact for years after graduation. He worked in high school as a stock boy for one of the local supermarket chains, and as I understand it, he went on—following the American dream of old—of rising up in the ranks, eventually becoming store—and later regional—manager.
We lost touch after I moved to Tucson in ’85. Though a mutual friend we briefly reconnected via email a couple years ago, exchanging photos and a brief outline of what had happened in our lives over the past 40-odd years. I never heard back from him after the second round of emails, but he seemed uninterested in rekindling our friendship. I have a feeling that in the intervening years he—like so fucking many of my absolute best friends from that period—had found religion and/or taken a political hard right and judged my lifestyle unacceptable. (There’s a reason you can never go home again.) But I’ll always be grateful to him for introducing me to the Alan Parsons Project.
*There are a couple different dates on the internet as to when this album was officially released, but I’m going with this one.
Good Vibes
As a newly minted gay in the spring of 1977, I first heard this album in the dorm room of one John…McGuire. He was first man I ever did the deed with, and he was shocked—shocked I tell you—that at the time I had no idea who this Bette Midler was, and quite frankly her music did not appeal to me in any way. (I know, right? Should’ve turned in my gay card then and there.) But ya know, over the years it grew on me to the point that as I said, I know every note forward and backward and can now quote from it as effortlessly as I can from Personal Services.
I was just texting my old friend and housemate Michael (who shares my love of Bette and Personal Services) and in discussing Miss M., he said he was now going to have to dig out his copy and give it a listen because he—like most of us these days—needs some cheering up.
Released 47 Years Ago Today
Giorgio & Chris: Love’s in You, Love’s in Me (1978)
Never one of my favorites, but looked back upon fondly, especially Burning the Midnight Oil.
I get the totally unsubstantiated feeling that Giorgio was fucking Chris at the time and was hoping to make her the next Donna Summer. Unfortunately, Chris didn’t possess the vocal talent of Summer and this is why I think this was a one-off album…
Remember When These Were THE Status Symbol?
I could never really afford LaCoste; in the early 80s, they were $25 a pop, well beyond what my budget would allow at the time. I did have a rainbow of colors from Brittania, however.
At one point I did manage to buy the real deal. It was red, and I never wore it much because I got a size too small and was too naive to realize I could take it back and exchange it—even after I’d washed it.

In much later years I have been able to snag a few gently used alligators from eBay. Terribly out of fashion these days, but I still love them. Put one on, dab some Halston Z-14 behind my ears and I’m 25 years old with a 31-inch waist again.
Going Through Old Photos
All I Have To Do…
Ah, Youth
This photo brings back memories. Summer, 1984. I was living in Mesa (a suburb east of Phoenix) with an absolute lunatic. (Another story for another time.)
I took a chance one weekend—knowing full well I might return home to find his dead body—and drove down to Tucson to spend time with friends, away from the madness.
It was a typical Saturday night at The Fineline. My friend Lee and I closed the bar as we often did, and while I lingered in the parking lot (a common activity at this particular club) hoping that even though the cruising had been dismal there might be some cute boy hanging out desperate enough to get laid that he’d hook up with me. (Hey, it happened before.)
This particular evening there was one guy with whom I’d been playing cat-and-mouse all evening. I don’t remember who struck up the conversation, but we connected and soon realized we were both interested (in fact, had been interested all evening) but he lived at home, and I was staying in a spare bedroom at Lee’s place. I knew he had asked some mutual friends back to his place (actually his mom’s place—she was out of town and he lived in a casita in back of the main house) to talk, dance, listen to music and generally hang out because no one really wanted to call an end to the evening. As Lee was leaving I told him I’d be, um…delayed…and he just told me to be safe.
Bobby and I had no idea where we’d consummate things, but for some strange reason I suggested we take a drive up the Catalina Highway to Windy Point. It was a nice overlook and I figured at that hour (now almost 2 am) it would be deserted.
It was. And it was then and there that I discovered my brand new Toyota Corolla SR-5 was not designed for…well, you know.
I learned sometime later that Bobby had a very apropos nickname: “Beer Can.”
By the time we got back to town, dropped him off, and headed to Lee’s place, the neighborhood was clogged with cars. Lee’s place was full of people.
Apparently, someone had passed around the bar that there was an after hours party at Lee’s. At one point the police were called. Lee was in tears as he was pushing people out the front door.
Good times.
Don’t Forget Your Rubbers
LA Cares AIDS campaign (c.1984) starring Zelda Rubinstein
Zelda Rubinstein was a little person (the term she preferred) who began acting in her 40’s. Her big break came in 1982 with her role as Tangina Barrons in the film Poltergeist.
In 1984, she was the the central figure in a series of advertisements, directed towards gay men specifically, promoting safer sex and AIDS awareness. Rubinstein did so at risk to her own career, especially so shortly after her rise to fame, and admitted later that she did “pay a price, career-wise.” “I lost a friend to AIDS, one of the first public figures that died of AIDS,” the actress said in an interview with The Advocate. “I knew it was not the kind of disease that would stay in anybody’s backyard. It would climb the fences, get over the fences into all of our homes. It was not limited to one group of people.” She attended the first AIDS Project Los Angeles AIDS Walk. (Source:Wikipedia)
40 Years Ago
I had just split up with my first partner. I moved into a brand new apartment complex in Mesa, AZ called Crestwood. Very brutal architecture for 1984, no?
Madonna hadn’t even released Like a Virgin yet.
I ended up getting the exact unit I wanted, top floor end unit. Not surprising considering most of the apartments in this part of the complex were still empty. As I recall my rent was $300/month for a one-bedroom. Imagine that.
Lots of interesting adventures while I lived there. That’s all I’m gonna share right now.
I suppose it does look like a 25-year-old’s apartment…
The only things I still have in this picture are the two paintings, the poster (rolled up in a tube somewhere I think), and the antique lamp. The lamp is no longer in use because it needs to be rewired. Another project for retirement, I guess!

















































































