Category: Television

I only read Philip Pullman's amazing trilogy, His Dark Materials, in 2003 at the recommendation of a friend. I'd never heard of it prior to this, and yet it is a story that has stayed with me for the last twenty years. While undergoing cancer treatment that summer, I spent many a sleepless night glued to the pages of the books, mesmerized by the story unfolding before me.

Billed as "young adult" fiction, it is anything but.

When, several years later, I caught word of the story being made into a series of feature-length films, I was of course, elated. After seeing the first installment, The Golden Compass, however, and then learning that the studio would be going no further, I was understandably heartbroken. While I enjoyed  The Golden Compass, I didn't appreciate how the film so abruptly ended—especially when that ending was not true to the original source material whatsoever and left the audience hanging.

Pullman's story seemed—much like Dune—unfilmable.  Unlike Dune, however, where the novel contained so much internal dialog to make filming difficult, His Dark Materials—and especially the final book in the trilogy, the Amber Spyglass—contained ideas that skittish Hollywood executives would probably rather not address. (Never mind the plethora of daemons, angels, talking polar bears and Mulefa.)

And much like with Dune, I gave up all hope of ever seeing a faithful on-screen representation of Pullman's books.

All that changed when HBO released the first season of His Dark Materials, aka The Golden Compass, in November 2019, with news that the second book/season, The Subtle Knife would follow at the end of 2020.

And then the pandemic hit, and the fate of the most controversial book of the series, The Amber Spyglass, hung in the balance.

I was both surprised and delighted to learn a few months ago that yes, The Amber Spyglass had been in production post-pandemic and was wrapping up with a release date of December 2022. Time to fire up the HBO subscription again!

From Mashable (because I couldn't have said it better myself):

Philip Pullman's novel The Amber Spyglass finally gets an on-screen adaptation with Season 3 of His Dark Materials, and what a heartbreaking, gorgeous adaptation it is.

Easily the most ambitious and most fantastic of Pullman's trilogy, The Amber Spyglass gives this final season of His Dark Materials a lot to work with: the land of the dead, teeny tiny spies, rollerskating elephant creatures, and more. On top of all that, the novel concludes Pullman's re-interpretation of John Milton's Paradise Lost, meaning we get some pretty intense discussion of free will and individuality in the face of religious oppression. Yes, that includes the "let's kill God" plotline.

Luckily for fans of Pullman's books, His Dark Materials does not water down the novels' thematic content, nor does it stray away from the stranger aspects of its fantasy worlds. The season, while not without its own flaws, proves to be a rewarding finish to a solid show that tended to be overlooked in a crowded fantasy TV landscape.

Season 3 of His Dark Materials brings us to new and exciting worlds.

At the start of Season 3 of His Dark Materials, our characters are scattered. Lyra (Dafne Keen) is in the clutches of her mother Mrs. Coulter (Ruth Wilson), who keeps her asleep as a twisted form of protection from the evil Magisterium. In her dreams, she sees her late friend Roger (Lewin Lloyd), who calls for help from the land of the dead. Meanwhile, Will (Amir Wilson) uses the Subtle Knife to search for Lyra across worlds, and Dr. Mary Malone (Simone Kirby) ventures into a new realm where she'll make unexpected friends. Then there's the not-so-small matter of Lord Asriel's (James McAvoy) final assault against the Authority, which will unite angels, witches, and humans.

The sprawling scope of the season gives us several new fantasy locations to enjoy, from Asriel's bustling battle camp to the austere yet grand kingdom of heaven. Two worlds in particular stand out: the land of the dead, with its fascinating industrial feel and terrifying harpy guardians; and the world Mary stumbles into, a lush paradise populated by the elephant-esque Mulefa. That's right, book fans: We finally get to see the Mulefa and their seedpod wheels. Rejoice!

His Dark Materials Season 3 goes out with a bang — and a lot of tears.

In what felt like a gamble to be more like Game of Thrones, the first two seasons of His Dark Materials chose to split time more evenly between Lyra and other characters, like Mrs. Coulter and Lord Asriel. As a result, the show could sometimes feel like it was treading water. Characters in non-Lyra and Will storylines spent a lot of time having Big Important Discussions about Dust and prophecies, but these were often redundant and drew focus from Lyra and Will's compelling journey.

With Season 3, however, most of these stories get the opportunity to go full speed ahead. Now, Asriel—who was absent from Season 2 due to COVID-19 shooting complications—rallies his troops, and Mrs. Coulter reckons with her love for Lyra. When the two cross paths, it's like lightning in a bottle. McAvoy and Wilson play the layers of Asriel and Coulter's relationship with a perfect mix of love, hate, and ambition, creating a push and pull throughout the season that will keep you guessing. And of course, the much-discussed rebellion against the Authority finally gets its appropriately epic payoff as His Dark Materials concludes.

Unfortunately, His Dark Materials does not completely fix its pacing problems in Season 3. I say only "most" of the stories get more interesting because the Magisterium scenes are still a slog to get through. The introduction of fanatic Father Gomez (Jamie Ward) does bring our villains in a slightly more dynamic direction, but the constant returns to the Magisterium pull time away from stories that deserve far more of our attention. The main victim here is Mary Malone. His Dark Materials sprints through her time spent with the Mulefa (and the construction of a certain spyglass), touching on key plot points but never letting us truly sink into the world of the Mulefa. It's both a shame and a missed chance, since passages involving Mary and the Mulefa are among the most memorable from The Amber Spyglass.

The Mulefa and the Land of the Dad were honestly the only parts of the story I remembered after 20 years.

Mashable continues:

As with the rest of His Dark Materials, Season 3 most comes to life when it focuses on the relationship at the heart of the show, that between Lyra and Will. While a divine war wages around them, their main focus is helping each other accomplish their goals—be that finding Roger or bringing the Subtle Knife to Lord Asriel. Keen and Wilson continue to have excellent chemistry, grounding each other amidst a sea of lofty fantasy set pieces and cementing themselves as young performers to watch. It's their scenes that pack the biggest emotional punches this season. A heart-wrenching conversation between Lyra and her daemon Pantalaimon (voiced by Heartstopper's Kit Connor) reduced me to tears for a good ten minutes straight, while the journey to the land of the dead is a quietly moving rumination on the beauty of life's small truths.

I found the series immensely satisfying. Did it do full justice to Pullman's work? I would have to say yes. To be honest, at first I didn't particularly care for either James McAvoy as Asriel or Ruth Wilson as Marissa Coulter (I felt Daniel Craig and Nicole Kidman personified those characters to a tee), but over the course of the series they grew on me, particularly Ruth Wilson. I applaud that HBO did not shy away from the "killing God" aspect of the story—or even bringing the two gay angels to the screen. There were parts of the last season that seemed a bit rushed (particularly Mary's time with the Mulefa), but that's the extent of my quibbles.

I read that some fans are upset that there are no more scheduled seasons, but to them I say, "What would these additional seasons be? While there are other, post Materials books in Pullman's universe, His Dark Materials itself was a trilogy, and the story ended. Get over yourselves."

If you're a fan of the books and somehow haven't seen this production, do yourself a favor and seek it out. The first two seasons are available on DVD so you don't need a subscription to HBO, and I'm sure this final season will be available on disc shortly.