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Shitposting since 2005

I drive past this sign every morning on the way home from getting coffee. Considering what’s happening with Palestine, I find it incredibly offensive. Protect Jews from whom? It seems that history repeats and oppressed have become the oppressor.
Unpopular opinion: I support the Israeli people and have no animosity toward them, but—much like our own—their government leading the Palestinian eradication has to go. Like, yesterday.
So this morning I stopped to snap a photo in order to make some changes. I had to do it manually because ChatGPT refused because of its built-in guardrails. My first thought was to ironically compare Jews to Nazis in this context. But not all Jews, obviously. I don’t consider myself the least bit anti-Semetic and didn’t want to come across that way. But at the same time, genocide is genocide, no matter what the group doing it is called.

But I didn’t think what I was trying to express was clear with such a ham-fisted allusion that very people were likely to pick up on. So I went off in a slightly different direction and just called the fuckers out.

Calling out Israel explicitly—and by definition the Israeli government—I think I got my point across.
So now the question remains, how many readers will I lose with this post?
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…for about a week or so after the Russian Bot Farms were taken down is how quiet my spam filter was! No more pages-long lists of comments (most of which were in Russian). And no more attempted attacks to breach my firewalls!
Slava Ukraini!
Unfortunately, over the past couple days, the bot comments and attempted break-ins have resumed. Interestingly, however, they are not coming from Russia, but rather (of all places) India!
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Even though these “upgraded” and now fully undoubtedly sanitized for your protection restrooms had been locked, bolted shut, and fully out of commission since the early 2000s, can we still take a moment of silence to mourn the passing of the last active gloryholes along the I-10 corridor in Arizona?
Not that I ever knew anything about that. 😈
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Such a bad boy.
And before y’all start your scolding, as I’ve explained to several of you privately over the years, I know smoking is a vile habit; something I never took up in my youth and most assuredly would never take up now after seeing what it’s done to friends and family. Plus, if I did start smoking in my youth I’d look like hell now and no doubt would’ve ended up with a much worse variety of cancer than what I did. That being said, I can’t deny the attraction it elicits with some guys. To paraphrase a line from Parting Glances, “Your dick knows what it likes, and you go for it.”
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Like many others, when Blue Moves first came out—and for many years after—I had a love/hate relationship with this album. The sound was so different from all of Elton’s previous work, and yet still so fresh. It also annoyed me no end back in the day that all four sides of the album wouldn’t fit on a standard 90 minute cassette tape, requiring that you buy a notoriously thin and prone to breakage and entanglement-in-the-player 120-minute cassette.
Now, of course half a century later and the initial shock of it has long worn off, I think this collection is brilliant.
Favorite tracks to play at bleeding-ear volume: One Horse Town, Boogie Pilgrim, Crazy Water, Shoulder Holster, Sorry Seems To Be The Hardest Word, If There’s a God in Heaven (What’s He Waiting For?), and Bite Your Lip (Get Up and Dance).
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An interesting concept poorly executed. It’s AI generated, and it shows.
Villa Orbit by Hamidreza Edrisi & Hoori Taleshi

Hamidreza Edrisi & Hoori Taleshi: The defining characteristic of this design lies in its continuous circular geometry, which gracefully embraces a tranquil central courtyard. This circular configuration represents unity, sustainability, balance, and the cyclical relationship between human life and the natural environment. Unlike linear architectural organizations that primarily respond to functional requirements, the circular form introduces a fluid spatial experience, creating continuous movement and a sequence of evolving visual relationships where every step reveals a new perspective.
At the heart of the project lies the central courtyard, conceived not merely as an open space, but as the fundamental architectural element of the composition. This central void challenges the traditional perception of absence in architecture, emphasizing the ancient architectural principle that voids possess an equal spatial significance to solid forms.
Beyond its role as an open-air space, the courtyard functions as a living ecosystem within the building. It introduces natural light, fresh air, seasonal vegetation, and a sense of visual calmness into the interior spaces. Each room maintains a direct dialogue with this inner landscape, strengthening the connection between inhabitants and nature while enhancing the overall sense of serenity.

n this project, architecture is experienced not only through enclosed volumes, but through the continuous interaction between light, vegetation, shadow, material, and movement. Natural stone is selected as the primary material, allowing the structure to emerge organically from its surrounding context. Its textured surface reflects the tones and characteristics of the surrounding rocks and earth, enabling the architecture to establish a deeper connection with the landscape and gradually become part of its natural environment over time.
Large circular openings are carved into the stone envelope, creating moments of curiosity and discovery. These carefully positioned apertures frame selected views of gardens, sky, and distant landscapes, transforming them into architectural experiences. Like visual lenses, these sculptural openings invite residents to perceive nature from multiple perspectives and establish a continuous visual relationship between interior and exterior.
Ultimately, the project presents a contemporary interpretation of landscape-responsive architecture, where geometry, materiality, and nature converge to create a timeless sanctuary. Villa Orbit embodies a sustainable dialogue between human habitation and the natural world, celebrating architecture as a mediator between built form and the surrounding landscape.















There is so much wrong with this floor plan I don’t know where to begin.
I could go on and on, but I think you get the idea. When I originally saw the photographs of the exterior and interior I sought out a floor plan and I’m kind of sorry I did, because I like what the architects were striving for.
I’ve designed circular houses before and there are plenty of ways to get around all these design flaws. First and foremost, reduce the size of that central courtyard to allow for a continuous hallway either along the inner or outer circumference (or some combination of both). This house is so huge having it crossover via a “spoke” hallway between the two seems logical if you want to preserve views into the courtyard for certain rooms but others don’t require it.
I’d also reduce the overall diameter of the entire house. Based on the amount of wasted space alone, I think would work much better if it were smaller.
Add another full bath; ideally integrate it into the Master Suite (#5) and provide a guest bath somewhere on the same side of the house as the public areas.
Bring the kitchen in to where the large dining table is currently shown and provide a direct entrance to the outside.
And while we’re on the subject of entrances and exits, where are the “second means of egress” in so many of these rooms? If the house goes up in flames, you’re going to burn before you ever get out of it.
All in all, an interesting concept but very poorly executed.
[source]
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Inserting myself into some iconic moments…





I’ve been busy today (and having more fun than I have in months)!
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